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decided they can make a few bucks selling these over Sirius/XM and thru
iTunes. So far, the following series/shows have been removed from
Archive.Org:
Cinnamon Bear
Family Theater
The Shadow
Burns and Allen
Gangbusters
Voyage of the Scarlet Queen
The Witches Tale
The Falcon
On Stage
I was a communist for the FBI
Edgar Bergan Charlie McCarthy program
Jack Benny
Green Hornet
Phil Harris and Alice Faye
Lum and Abner
This is not a DMCA violation, unless it can be proved that the shows were
"ripped" from a copyrighted digital recording.
Radio $pirits claims "rights"
1. Jack Benny -Trust C under Will of Jack Benny
2. Phil Harris - Alice Faye - Alice Fay Trust
3. The Green Hornet - The Green Hornet, Inc.
4. Frontier Gentleman - Janice Ellis O'Hare
5. Burns & Allen - Sandra Burns Luckman
6. Edgar Bergan & Charlie McCarthy -The Bergan Foundation
7. Gang Busters - RSPT LLC, successor in interest of Charles Michelson
8. I Was a Communist for the FBI - Milton Geiger Estate
9. Lum and Abner - Chester Lauck, Jr.
10. On Stage - Elliot Lewis Estate
11. Sam Spade - RSPT LLC, successor in interest of Lawrence White
12. The Falcon - RSPT, LLC, successor in interest of Bernard Schubert
13. The Witch's Tale - Alonzo Deen Cole Estate
It's a confusing mess, to say the least. Archive.Org decided they'd
rather not "fight the 800-pound gorilla," and removed the shows. Radio Spirits may
not actually hold rights, but it would be an expensive process to fight
them in court.
I expect other series/shows to be pulled as well,
(full details and discussion at
http://www.archive.org/post/320881/what-is-gone)
Discussion Content in part from Usenet
Write - Hegel Himself
I hadn't seen it all in one concise spot before, but here is what is going on on the net concerning "Public Domain" Shows ------------------------------------------------------------------------------------------ Rick
P.S. I don't want any of you to be like this
Dad's Army is a British sitcom about the Home Guard during the Second World War. It was written by Jimmy Perry and David Croft and broadcast on BBC television between 1968 and 1977. The series ran for 9 series and 80 episodes in total, plus a radio series, a feature film and a stage show. The series regularly gained audiences of 18 million viewers and is still repeated world wide.
The Home Guard consisted of local volunteers otherwise ineligible for military service, usually owing to age, and as such the series starred several veterans of British film, television and stage, including Arthur Lowe, John Le Mesurier, Arnold Ridley and John Laurie. Relative youngsters in the regular cast were Ian Lavender, Clive Dunn (who was made-up to play the elderly Jones), Frank Williams, James Beck (who died suddenly during production of the programme's sixth series, despite being one of the youngest cast members) and Colin Bean.
In 2004, Dad's Army was voted into fourth place in a BBC poll to find Britain's Best Sitcom. Previously, in a list of the 100 Greatest British Television Programmes drawn up by the British Film Institute in 2000, voted for by industry professionals, it was placed thirteenth. The series has had a profound influence on popular culture in the United Kingdom, with the series' catchphrases and characters well known. It is also credited with having highlighted a hitherto forgotten aspect of defence during the Second World War. The Radio Times magazine listed Captain Mainwaring's "You stupid boy!" among the 25 greatest put-downs on TV.
Originally intended to be called The Fighting Tigers, Dad’s Army was based partly on co-writer and creator Jimmy Perry’s real-life experiences in the Local Defence Volunteers (later known as the Home Guard). Perry had been 17 years old when he joined the 10th Hertfordshire Battalion and with a mother who did not like him being out at night and fearing he might catch cold, he bore more than a passing resemblance to the character of Frank Pike. An elderly lance corporal in the outfit often referred to fighting under Kitchener against the "Fuzzy Wuzzies" and proved to be a perfect model for Jones. Other influences were the film Whisky Galore!, and the work of comedians such as Will Hay whose film Oh, Mr Porter! featured a pompous ass, an old man and a young man which gave him Mainwaring, Godfrey and Pike. Another influence was the Lancastrian comedian Robb Wilton, who portrayed a work-shy husband who joined the Home Guard in numerous comic sketches during WW2.

Perry wrote the first script and gave it to David Croft while working as a minor actor in the Croft-produced sitcom Hugh and I, originally intending the role of the spiv, Walker, to be his own. Croft was impressed and sent the script to Michael Mills, Head of Comedy at the BBC. After addressing initial concerns that the programme was making fun of the efforts of the Home Guard, the series was commissioned.
In his book, Dad's Army, Graham McCann explained that the show owes a lot to Michael Mills. It was he who renamed the show Dad's Army. He did not like Brightsea-on-Sea so the location was changed to Walmington-on-Sea. He was happy with the names for the characters Mainwaring, Godfrey and Pike but not with other names and he made suggestions: Private Jim Duck became Frazer, Joe Fish became Joe Walker and Jim Jones became Jack Jones. He also suggested adding a Scot to the mix. Jimmy Perry had produced the original idea but was in need of an experienced man to see it through. Mills suggested David Croft and so the successful partnership began.
The show was set in the fictional seaside town of Walmington-on-Sea, on the south coast of England (the exterior scenes were mostly filmed in and around Thetford, Norfolk). Thus, the Home Guard were on the front line in the eventuality of an invasion by the enemy forces across the English Channel, which formed a backdrop to the series. The first series had a loose narrative thread, with Captain Mainwaring’s platoon being formed and equipped—initially with wooden guns and LDV armbands, and later on full army uniforms; the platoon were part of the The Queen's Own Royal West Kent Regiment.
Explore more of Dad's Army in the Collections Group

Candid Camera, the first and longest running reality-based comedy program, premiered on ABC 10 August 1948 under its original radio title Candid Microphone. The format of the program featured footage taken by a hidden camera of everyday people caught in hoaxes devised by the show's host Allen Funt. In the world of Candid Camera mailboxes talked to passers by, cars rolled along effortlessly without engines, little boys used x-ray glasses, and secretaries were chained to their desks--all to provoke a reaction from unsuspecting mechanics, clerks, customers and passers by. In a 1985 Psychology Today article, Funt explained his move to television by saying that he "wanted to go beyond what people merely said, to record what they did--their gestures, facial expressions, confusions and delights.
The program ultimately changed its name to Candid Camera when it moved to NBC in 1949 but did not gain a permanent time slot until it finally moved to CBS in 1960. For the next seven years it was consistently rated as one of television's top ten shows before it was abruptly canceled. Funt was frequently joined by guest hosts such as Arthur Godfrey, Durward Kirby and Bess Meyerson. A syndicated version of the program containing old and new material aired from 1974-78. Aided by his son Peter, Funt continued to create special theme episodes (e.g.: "Smile, You're on Vacation," "Candid Camera goes to the Doctor," etc.) for CBS until 1990 when The New Candid Camera, advised by Funt and hosted by Dom DeLuise went into syndication. Low ratings finally prevented King Productions from renewing the show for the 1992-93 season.
stunts was not always an easy task.
Early attempts to film Candid Camera were hampered by technical, logistical and censorship difficulties. While they appeared simple, the staged scenes took many hours to prepare and success was far from guaranteed. Approximately fifty recorded sequences were filmed for every four to five aired on the program. Funt and his crew had to contend with burdensome equipment that was difficult to conceal. The cameras were often hidden behind a screen, but the lights needed for them had to be left out in the open. Would-be victims were told that the lights were part of "renovations." Microphones were concealed in boxes, under tables and, in a number of episodes, in a cast worn by Funt himself. In his book Eavesdropping at Large (1952), Funt also described his battles with network censors and sponsors who had never before confronted this type of programming and were often fickle in their decisions about what was and was not acceptable material for television at the time. Funt himself destroyed any material that was off color, or reached too deeply into people's private lives. A hotel gag designed to fool guests placed a "men's room" sign on a closet door. The funniest, but ultimately unaired reaction, came from a gentleman who ignored the obvious lack of accommodations and "used" the closet anyway.
Curtis grew up in an impoverished section of the Bronx, and had joined a street gang by the age of eleven. He joined the Navy in 1943, and after the war, attended the City College of New York and took acting lessons at the Dramatic Workshop. In 1948 he moved to California and was placed under contract by Universal Studios, making his screen debut in Criss Cross (1948). Soon afterward, his good looks made him a matinee idol, initially under the name James Curtis, and then Anthony Curtis.
A versatile actor, Curtis sought work in a variety of genres in order to avoid being typecast. His first major film was The Sweet Smell of Success (1957). He was nominated for an Academy Award for his performance in The Defiant Ones (1958) with Sidney Poitier. He demonstrated his comedic talent in Billy Wilder’s classic Some Like It Hot (1959) with Marilyn Monroe and Jack Lemmon. Other important films include The Vikings (1958), Spartacus (1960), The Great Imposter (1961) and The Boston Strangler (1968). In the early 1970s, Curtis appeared in a British TV series called The Persuaders, and in 1977 he wrote his first novel Kid Andrew Cody & Julie Sparrow.
Curtis enjoyed a close friendship with Hollywood’s “Rat Pack,” a group of entertainers which included Frank Sinatra, Dean Martin, Sammy Davis, Jr., Joey Bishop and Peter Lawford. Some sources even cite Curtis as an “honorary member.” He appeared in several films with Rat Pack members, including Pepe (1960) and The List of Adrian Messenger (1963)."
Despite a cardiac bypass operation in 1994, Curtis was still vibrantly active and occasionally played supporting roles in films. He was enjoying a successful second career as a fine artist.
Tony Curtis was told by a number of people, including the legendary Billy Wilder, that he was the "best looking kid in show business."
My personal favourites were "Some like it hot", "Operation Petticoat" and his swashbuckling movies. The world has lost a great movie star.

"This hard boiled spy drama began as an RKO Radio Pictures theatrical serial in the 1940s, went on radio in 1943, and then came to TV around ten years later in a Syndicated series produced for distribution by NBC
Films; the series was about an American agent whose code name was "Falcon".
The success of the films led to a radio series that premiered on the American Blue Network in April 1943, and aired for the next ten years on various networks. It was here that his transition into a private eye was finalized, with The Falcon, now called Michael Waring working as a hardboiled insurance investigator, with an office and a secretary, Nancy.
Barry Kroeger was the first radio voice of The Falcon, followed by James Meighan, Les Tremayne, George Petrie, and Les Damon. Nearly all the shows were broadcast from New York.
You can find more about the series and shows in the Collections Group
You may not of noticed, but I am bringing content from the old Calfkiller blogs and making part of, or available, to the Times Past community. The content I have posted on the Calfkiller blogs will be easily available here.
Have been asked often about the name Calfkiller. Some even said the name scared them. I am from the Cumberland Mountains area of Tennessee and one of the rivers here is called Calfkiller River. The name was taken from a Cherokee Indian Chief from this area of Tennessee, called Chief Calfkiller.
In the beginning old time radio had always been an interest to me and friends would ask for links to help in finding shows. The Calfkiller web page, or blog, was started just for friends to view links to content when I ran across something of interest. The name Calfkiller was easy to remember for anyone in the area and was just used for simplicity for just a few friends from the area. This was in the late 1990's, about the time Napster appeared.
Over time Old Time Radio started to make a come back, and search engines improved, mp3 players became more and more popular; and so did traffic to the Calfkiller blog. So I guess old Chief Calfkiller's name lives on in reference to Old Time Radio.
I started Times Past here on Ning shortly after they came on board as a platform, actually one of the first to sign up. I knew the interface had the potential to be a perfect place for the hobby of Old Time Radio. A lot better than anything I could ever come up with. It has been hard to move completely away from the Calfkiller blog, it has been a good refer for Time Past.
Now the Times Past community is growing with new members almost every day. Not just Old Time Radio fans, but also admirers of content from the post-era of Old Time Radio. I am thankful for the UK and others keeping the entertainment of radio alive today. There is some very creative and imagative minds writing and producing; as well outstanding actors from the UK keeping us old timers entertained, along with a whole new generation of new listeners.
I would like to thank all the members here at Times Past who have contributed content for all of us to enjoy, as well as contributors of the genre from other web sites who make content available. Whether any of you know or not, you are helping to preserve this content for future generations when we are gone.
Robert
Claudia and David was a drama based on the Redbook magazine stories by Rose Franken and William Brown Meloney. It began as a skit on the Kate Smith Hour June 6, 1941, a month before becoming a full summer series. Claudia was played by Patricia Ryan and David was played by Richard Kollmar.
Claudia was still in her teens when she fell in love with David; much of the conflict derived from the possessiveness of her mother, with the "everyday drama" focusing on counting pennies, balancing checkbooks and repairing items around the house. The skits on the Smith show developed the romance; the couple would actually wed at "City Hall" in the second regular episode, July 11.
A syndication attempt in 1947-48 sponsored by Coca Cola starred Kathryn Bard as Claudia, and Paul Crabtree as David.
All Shows
Claudia.Zip
Single Shows
Claudia_47-09-00_000_Audition.mp3
Claudia_47-09-29_001_Meet_The_Naughtons.mp3
Claudia_47-09-30_002_Let_Them_Eat_Cake.mp3
Claudia_47-10-01_003_The_Wedding_Presents.mp3
Claudia_47-10-02_004_Many_Happy_Returns.mp3
Claudia_47-10-03_005_The_New_Apartment.mp3
Claudia_47-10-06_006_Its_A_Lock.mp3
Claudia_47-10-07_007_Introspection.mp3
Claudia_47-10-08_008_Mamas_Early_Birthday.mp3
Claudia_47-10-09_009_Claudia_Worries.mp3
Claudia_47-10-10_010_Moving_Day.mp3
Claudia_47-10-13_011_The_First_Quarrel.mp3
Claudia_47-10-14_012_Dog_Days.mp3
Claudia_47-10-15_013_Life_With_Major.mp3
Claudia_47-10-16_014_Salmon_On_Sale.mp3
Claudia_47-10-17_015_Dinner_Plans.mp3
Claudia_47-10-20_016_The_Salmon_Mousse.mp3
Claudia_47-10-21_017_Return_Of_The_Wedding_Pres..>
Claudia_47-10-22_018_The_Leaky_Faucet.mp3
Claudia_47-10-23_019_Beginning_Of_Our_Home.mp3
Claudia_47-10-24_020_Family_Finances.mp3
Claudia_47-10-27_021_The_New_Car.mp3
Claudia_47-10-28_022_The_Drivers_Test.mp3
Claudia_47-10-29_023_The_Trip.mp3
Claudia_47-10-30_024_Davids_Shirt.mp3
Claudia_47-10-31_025_A_Beautiful_Sunday.mp3
Claudia_47-11-03_026_Driving_Downtown.mp3
Claudia_47-11-04_027_Rogers_Visit.mp3
Claudia_47-11-05_028_The_Broken_Mandarin.mp3
Claudia_47-11-06_029_The_Engagement_Ring.mp3
Claudia_47-11-07_030_Mama_Is_Ill.mp3
Claudia_47-11-10_031_Davids_Cold.mp3
Claudia_47-11-11_032_Armistice_Day.mp3
Claudia_47-11-12_033_The_Kittens.mp3
Claudia_47-11-13_034_A_Sick_Kitten.mp3
Claudia_47-11-14_035_A_Stolen_Car.mp3
Claudia_47-11-17_036_A_Small_Death.mp3
Claudia_47-11-18_037_Harley_And_Julia_Return.mp3
Claudia_47-11-19_038_Opera_Tickets.mp3
Claudia_47-11-20_039_A_Night_At_The_Opera.mp3
Claudia_47-11-21_040_An_Available_Apartment.mp3
Claudia_47-11-24_041_Bath_Time_for_Shakespeare.mp3
Claudia_47-11-25_042_No_Room_at_the_Inn.mp3
Claudia_47-11-26_043_Painted_into_a_Corner.mp3
Claudia_47-11-27_044_Thanksgiving_Dinner.mp3
Claudia_47-11-28_045_Nice_Night_for_a_Walk.mp3
Claudia_47-12-01_046_Were_Just_Looking.mp3
Claudia_47-12-02_047_The_Whole_Tooth.mp3
Claudia_47-12-03_048_Through_Claudias_Eyes.mp3
Claudia_47-12-04_049_Can_We_Put_Clothes_in_it_T..>
Claudia_47-12-05_050_The_Shiner.mp3
Claudia_47-12-08_051_A_Genuine_Antique.mp3
Claudia_47-12-09_052_Claudia_Suspects.mp3
Claudia_47-12-10_053_The_Joyous_News.mp3
Claudia_47-12-11_054_A_Blank_Canvas.mp3
Claudia_47-12-12_055_A_Real_Stunner.mp3
Claudia_47-12-15_056_The_New_Carpets.mp3
Claudia_47-12-16_057_Psychic_Buttons.mp3
Claudia_47-12-17_058_A_Job_Offer.mp3
Claudia_47-12-18_059_Heartbreak.mp3
Claudia_47-12-19_060_Without_Mama.mp3
Claudia_47-12-22_061_Pipe_Shopping.mp3
Claudia_47-12-23_062_Lost_and_Found.mp3
Claudia_47-12-24_063_Christmas_Eve.mp3
Claudia_47-12-25_064_Merry_Christmas.mp3
Claudia_47-12-26_065_A_Surprise_for_Claudia.mp3
Claudia_47-12-29_066_Claudias_Birthday.mp3
Claudia_47-12-30_067_Naming_the_Dog.mp3
Claudia_47-12-31_068_New_Years_Eve.mp3
Claudia_48-01-01_069_Julias_New_Year_Musicale.mp3
Claudia_48-01-02_070_The_Parking_Lot.mp3
Claudia_48-01-05_071_Woman_Drivers.mp3
Claudia_48-01-06_072_Married_or_Not.mp3
Claudia_48-01-07_073_The_Organ_Grinder.mp3
Claudia_48-01-08_074_The_New_Secretary.mp3
Claudia_48-01-09_076_Lottie_Takes_Over.mp3
Claudia_48-01-12_076_Rogers_Idea.mp3
Claudia_48-01-13_077_Dropping_Hints.mp3
Claudia_48-01-14_078_Davids_Enthusiasm.mp3
Claudia_48-01-15_079_Todays_Upcoming_Trip.mp3
Claudia_48-01-16_080_The_Old_House.mp3
Claudia_48-01-19_081_Claudia_uses_books__drops_..>
Claudia_48-01-20_082_at_the_Mad_Hatters_0cleane..>
.
Take a look at this very entertaining show from the 1950's "You Asked For It". On the show, viewers were asked to send in postcards describing something that they wanted to see on television. This episode features a crazy song and dance team of human faced puppets. Also Elmo Lincoln - the original Tarzan and a daring escape artist wriggles out of a wild sword trap!
You just can not find this kind of entertainment on TV today. But is that good or bad?
Singing Guns was aired by Studio One on October 21, 1947 starring Myron McCormick and Gary Merrill. The story is dramatized from the novel Singing Guns by Max Brand, who you may remember created the Western character Destry, featured in several filmed versions of Destry Rides Again, and his character Dr. Kildare was adapted to motion pictures, radio, television, and comic books.
Singing Guns is about a sheriff, Owen Caradac, who is saved from certain death by the legendary killer Rhiannon, and the two forge a bond that changes Rhiannon's life.
The lyrics tell of the singer's troubled past with his love, Irene, and express his sadness and frustration. Several verses make explicit reference to suicidal fantasies, most famously in the line "sometimes I take a great notion to jump in the river and drown," which was the inspiration for the 1964 Ken Kesey novel Sometimes a Great Notion.
Like many traditional folk songs, the specific origins of "Irene" are unclear. Lead Belly was singing a version of the song from as early as 1908, which he claimed to have learned from his uncle Terell. An 1886 song by Gussie L. Davis has several lyrical and structural similarities to the latter song, however no information on its melody has survived. Some evidence suggests the 1886 song was itself based on an even earlier song which has not survived. Regardless of where he first heard it, however, by the 1930s Lead Belly had made the song his own, modifying the rhythm and rewriting most of the verses.
Lead Belly continued performing the song during his various prison terms, and it was while incarcerated at the Louisiana State Penitentiary that he encountered musicologists John and Alan Lomax who would go on to record hours of Lead Belly's performances. A few months prior to his release in 1934, Lead Belly recorded a number of his songs, including Irene, for the Library of Congress.
"Irene" remained a staple of Lead Belly's performances throughout the 1930s and '40s. However, despite popularity within the New York blues community, the song was never commercially successful during his lifetime.
In 1950, one year after Leadbelly's death, the American folk band The Weavers recorded a version of "Goodnight, Irene". The single first reached the Billboard Best Seller chart on June 30, 1950 and lasted 25 weeks on the chart, peaking at #1. Although generally faithful, the Weavers chose to omit some of Leadbelly's more controversial lyrics, leading Time magazine to label it a "dehydrated" and "prettied up" version of the original. Due to the recording's popularity, however, The Weavers' lyrics are the ones generally used today. The Weavers' enormous success inspired many other artists to release their own versions of the song, many of which were themselves commercially successful.
Frank Sinatra's cover, released only a month after The Weavers', lasted nine weeks on the Billboard magazine Best Seller chart on July 10, peaking at #12. Later that same year, Ernest Tubb & Red Foley had a #1 country music record with the song, and both Dennis Day and Jo Stafford released versions which made the Best Seller chart, peaking at #22 and #26 respectively.
On the Cash Box chart, where all available versions were combined in the standings, the song reached a peak position of #1 on September 2, 1950, and lasted at #1 for 10 weeks.
The song was basis for the 1950 parody called "Please Say Goodnight to the Guy, Irene" by Ziggy Talent. It also inspired the 1954 "answer" record "Wake Up, Irene" by Hank Thompson, a top ten hit on Billboard's country chart.
Band From TV did a cover of the song, with Hugh Laurie doing piano and vocals.
The Dixie Chicken in College Station plays this song at closing time, 2 a.m. every night of the week.
To see more on Leadbelly see the post
Lead Belly - A Secret History of Rock and Roll
Folk America - Part 1 : Birth Of A Nation

Jack Benny (February 14, 1894 –
December 26, 1974), born Benjamin Kubelsky, was an American comedian,
vaudevillian, and actor for radio, television, and film. Widely
recognized as one of the leading American entertainers of the 20th
century, Benny played the role of someone comically "tight" with his
money, insisting on remaining 39 years old despite his actual age, and
often playing the violin badly.
Benny was known for his comic timing and his ability to get laughs with
either a pregnant pause or a single expression, such as his signature
exasperated "Well!" His radio and television programs, tremendously
popular in the 1930s, 1940s, 1950s, and 1960s were a foundational
influence on the situation comedy.
The Electronic Frontier Foundation (EFF) today announced that it has won three critical exemptions to the Digital Millennium Copyright Act (DMCA) anticircumvention provisions today.
You now have the right to:
- Rip and remix DVDs for non-commercial purposes;
- Jailbreak your iPhone, or other cell phone, and load up any apps you want; and
- Use your iPhone, or other cell phone, with any carrier you like.
“By granting all of EFF’s applications, the Copyright Office and Librarian of Congress have taken three important steps today to mitigate some of the harms caused by the DMCA,” said Jennifer Granick, EFF’s Civil Liberties Director. “We are thrilled to have helped free jailbreakers, unlockers and vidders from this law’s overbroad reach.”
The DMCA prohibits “circumventing” digital rights management (DRM) and “other technical protection measures” used to control access to copyrighted works. The exemptions were granted as part of a process, conducted every three years, to mitigate the danger the DMCA poses to legitimate, non-infringing uses of copyrighted materials.
Rip & Remix DVDs
EFF won a new protection for people that rip DVDs and remix them and post them on sites like YouTube.
The new rule holds that amateur creators do not violate the DMCA when they use short excerpts from DVDs in order to create new, noncommercial works for purposes of criticism or comment if they believe that circumvention is necessary to fulfill that purpose. Hollywood has historically taken the view that “ripping” DVDs is always a violation of the DMCA, no matter the purpose.
“Noncommercial videos are a powerful art form online, and many use short clips from popular movies. Finally the creative people that make those videos won’t have to worry that they are breaking the law in the process, even though their works are clearly fair uses. That benefits everyone — from the artists themselves to those of us who enjoy watching the amazing works they create,” added McSherry.
Jailbreak Your iPhone
EFF also won clarification on the legality of cell phone “jailbreaking” — software modifications that liberate iPhones and other handsets to run applications from sources other than those approved by the phone maker.
The Copyright Office rejected Apple’s claim that copyright law prevents people from installing unapproved programs on iPhones: “When one jailbreaks a smartphone in order to make the operating system on that phone interoperable with an independently created application that has not been approved by the maker of the smartphone or the maker of its operating system, the modifications that are made purely for the purpose of such interoperability are fair uses.”
“Copyright law has long held that making programs interoperable is fair use,” confirmed Corynne McSherry, EFF’s Senior Staff Attorney. “It’s gratifying that the Copyright Office acknowledges this right and agrees that the anticircumvention laws should not interfere with interoperability.”
Unlock Your Phone & Use It With Any Carrier You Like
Finally, the Librarian of Congress renewed a 2006 rule exempting cell phone unlocking so handsets can be used with other telecommunications carriers. Cell phone unlockers have been successfully sued under the DMCA, even though there is no copyright infringement involved in the unlocking. Digital locks on cell phones make it harder to resell, reuse, or recycle the handset, prompting EFF to ask for renewal of this rule on behalf of our clients, The Wireless Alliance, ReCellular and Flipswap. However, the 2009 rule has been modified so that it only applies to used mobile phones, not new ones.
“The Copyright Office recognizes that the primary purpose of the locks on cell phones is to bind customers to their existing networks, rather than to protect copyrights,” said Granick. “The Copyright Office agrees with EFF that the DMCA shouldn’t be used as a barrier to prevent people who purchase phones from keeping those phones when they change carriers. The DMCA also shouldn’t be used to interfere with recyclers who want to extend the useful life of a handset.”
You can read the details in this pdf.
"Here is a clip for all you Western TV fans. I am sure this will bring back some memories from down Nostalgia lane. The good old days.