All Posts (11)

Sort by

A Collection of Short Crime Fiction Stories

11032205881?profile=originalThe KCRW Production "Mean Streets USA" is a collection of short crime fiction stories, a highly-produced series, recorded and produced at KCRW. It features detective stories by contemporary and classic mystery writers like Walter Mosley, Sue Grafton and Michael Connelly, read by Stacy Keach, Sharon Lawrence, Meschach Taylor, Tony Plana and others.

 

These were recorded off the internet, but the quality is decent.

 

MS 1 The Angry Man by Ross Macdonald read by Stacy Keach part 1

MS 2 The Angry Man by Ross Macdonald read by Stacy Keach part 2

MS 3 Silver Lining by Walter Mosley read by Meshach Taylor

MS 4 Serpents Dance by Jim Fusilli read by Tate Donovan

MS 5 The Parker Shotgun by Sue Grafton read by Harriet Harris

MS 6 The Dead Their Eyes Implore Us by George P. Pelecanos read by Tony Plana

MS 7 Cielo Azul by Michael Connelly read by John Michael Higgins

 

 

Read more…

11032206688?profile=originalDuring Yuletide, Holmes and Watson face several Dickensian Londoners, a dusty hat, a famous gem - and a goose!

Craig Wichman plays the Great Detective, and John Prave, the Good Doctor. The cast features Emma Palzere, Joseph Franchini, Dan Renkin, Clyde Baldo, and Soprano Soloist Bernadette Fiorella (New York City Opera). Original music by Frank Spitznagel. Sound effects by Sue Zizza, Mr. Baldo, and the cast. Engineers, Chip Fabrizi and Dominick Barbera.

THE BLUE CARBUNCLE (A Christmas Adventure of Sherlock Holmes)

Read more…

BBC To Open Vast Radio Archive Online

The Telegraph

The BBC is to introduce a new radio website, codenamed ‘Audiopedia’, to contain virtually its entire archive of speech radio programmes going back to the 1940s.

radio_1821570c.jpg?width=460
BBC radio 4 presenters James Naughtie and John Humphries reading the papers during the Today Programme Photo: ROGER HUTCHINGS


The service is being developed for launch “within the next 12 months”, said Tim Davie, director of BBC Audio and Music. "Audiopedia", its working title, may yet become its formal name, he added.

 

“The BBC is working on how best to present Audiopedia at the moment but most people will probably access the new on demand content via other pieces of related content they are already listening to across the BBC website,” he explained.

 

The website will represent the biggest release of BBC programming on demand since the iPlayer was introduced in 2007.

 

As well as searching and listening to the archive, "Audiopedia" users will be able to share programmes with their friends.

 

The BBC is in the process of digitizing its audio and TV archives. Currently around 20 hours a week of Radio 4 archive is being added to "Audiopedia". Davie the process was being run at a “small cost to the tax payer” and that the website will be “porous” to other broadcasters’ content. More......

.

.

Well, it has been over 12 months since this article was released, does anyone have any updated information on the progress of this undertaking?
Read more…

OTRR Library Annual Christmas Drive

11032206654?profile=originalJust a note if any missed the OTRR Library Annual Christmas Drive. Below is the post on the Old Time Radio Researchers blog. I know a lot of our members enjoy the free OTRR Library from time to time, and if you can give a couple of dollars please help out the Group. Mention you are a member of Times Past and show our thanks.

From OTRR


"It’s that time of year again, when we come to you with our annual fund raising drive.

If you use and enjoy the library, you know it’s free to all to use. No bandwith charges, no individual episode charges or any of that other silly stuff that the MP3 FTP sites charge. We are totally free and even if you can’t make a contribution, you can still download to your heart’s content.

At Christmas, we ask all those of you who’ve enjoyed the library to help support the costs of the server on which the Library is hosted. Just put a couple of dollars in a envelope and send it to -

Jim Beshires
123 Davidson Ave
Savannah, GA 31419

Or if you’d rather contribute via paypal, send it to beshiresjim@yahoo.com."

Read more…

Why Drinking Tea Was Once Considered A Dangerous Habit

by Allison Aubrey (NPR)

tea-dc99236d99f79af7c58e33f67d40b47ca3af2b85-s4.jpgTea a dangerous habit? Women have long made a ritual of it, but in 19th century Ireland, moral reformers tried to talk them out of it. At the time, tea was considered a luxury, and taking the time to drink it was an affront to the morals of frugality and restraint.

Given tea's rap today as both a popular pick-me-up and a health elixir, it's hard to imagine that sipping tea was once thought of as a reckless, suspicious act, linked to revolutionary feminism.

Huh? Well, the feminist complaints came from 19th century, upper class Irish critics who argued that peasant women shouldn't be wasting their time — and limited resources — on tea. If women had time to sit down and enjoy a tea break, this must mean they were ignoring their domestic duties and instead, perhaps, opening the door to political engagement or even rebellion.

"Drinking tea was thought to threaten traditional ways," explains researcher Helen O'Connell of Durham University in the UK. In the 1800s, tea was an affront to the virtues of frugality and restraint, which underpinned rural Irish culture.

In a new paper published in the journal Literature and History, O'Connell explores the angst about tea by combing through popular pamphlets — or short works of fiction — published in the 1800s. The pamphlets were published by reformers who were trying to weave tales of morality and clean-living into story form.

In one pamphlet, "Cottage Dialouges," written by the Irish Quaker author and reformer Mary Leadbeater, a dialogue between two women makes it clear that tea-drinking was considered a lavish, irresponsible behavior that could be habit-forming. Though the characters don't know the language of addiction, they use the phrase "hankering after it" — as if to suggest that once you'd had your first cup of tea, it would impossible to stop or control your longings. Adding to this suggestion is the fact that tea was sold at liquor stores.

The reformers' campaign against tea took on another moral outrage too: slavery. Since tea was typically sweetened with sugar at the time, reformers in Ireland tried to convince people that tea-drinking was akin to drinking the blood of slaves who were forced to work the plantations where sugar was produced.

O'Connell says clearly, in the end, the campaign against tea was not successful. Consumption of tea continued to grow steadily during this period.

To us, the campaign against tea, particularly the suggestions it may lead to revolutionary feminism, may seem crazy.

But in some ways, O'Connell says, "contemporary culture has all of these ideas about food which might appear ludicrous in time to come."

Any examples come to mind? "Maybe organic food, I don't know," O'Connell says. Or maybe the way we obsess over gluten. "Working on this project has made me a bit more critical of food discourse," she says. "Our passions and beliefs sometimes take over."

Read more…

It's A Wonderful Life Radio Play

Just returned from seeing a little theater group called the "Bread and Circus Theater Company". They performed  "It's A Wonderful Life." as a live radio play. The year was 1946. The cast was all dressed in vintage clothing. They performed to microphones. Read from scripts. The actors performed multiple roles. Sound effects performed live on stage. A couple of adds from sponsers, hair cream and soap. Even had "On Air" and "Applause" signs for the audience. All and all a nice trip into the past to get the feel of what it must have been like to see a radio drama performed. If anyone gets the opportunity to see a performance from a theater group; By all means, make haste.

Read more…

War-Era Food Posters: Patriotism and Food

ch1big3.jpg?width=250As evidenced by the subjects of government posters, food was every bit as important to the war effort as troops, weaponry and factories.  From the farm to the front, food production, distribution, preservation and conservation played a vital role in war times.  Significantly, the language of the posters may even speak of food in terms normally reserved for weapons.  "When Beans Were Bullets", An Exhibition of Posters by Cory Bernat". War-Era Food Posters from the Collection of the National Agricultural Library features a collection of government posters that highlight the subject of food.  The subjects range from canning to Victory Gardens.  Lovers of American wartime history might appreciate this exhibit as much as I did.

"An Exhibition of Posters by Cory Bernat":  http://www.good-potato.com/beans_are_bullets/


  Additional Resources:

Yours ever in appreciation of history, Cat

Read more…

npr100sm2.jpg?width=247Throughout the year 2000, NPR presented the stories behind 100 of the most important American musical works of the 20th century. These special features cover music from a wide variety of genres -- classical, jazz, rock'n'roll, country, R&B, musical theatre and film scores. NPR 100 stories aired on All Things Considered, Morning Edition, and NPR's weekend news magazine programs.

You can listen to and download most of the tracks which are still available on their web site.

The NPR 100 Archive

 

Here are a few random Examples:

 

Like a Rolling Stone

I Walk The Line

Gone With The Wind

Wildwood Flower

White Christmas

The Wizard Of Oz

The Sock-It-To-Me Truth Of 'Respect'

I'm So Lonesome I Could Cry

 

 

The List Available in The Archive

  1. ADAGIO FOR STRINGS, SAMUEL BARBER (1938)
  2. AIN'T THAT A SHAME, words/music ANTOINE "FATS" DOMINO/DAVE BARTHOLOMEW; as performed by FATS DOMINO (1955)
  3. ALEXANDER'S RAGTIME BAND, words/music IRVING BERLIN (1911)
  4. ALL OR NOTHING AT ALL, words/music JACK LAWRENCE/ARTHUR ALTMAN; as performed by FRANK SINATRA with HARRY JAMES & HIS ORCHESTRA (1939)
  5. APPALACHIAN SPRING, AARON COPLAND (1944)
  6. AS TIME GOES BY, words/music HERMAN HUPFELD (1931)
  7. BACK IN THE SADDLE AGAIN, words/music RAY WHITLEY/GENE AUTRY; as performed by GENE AUTRY (1939)
  8. BLOWIN' IN THE WIND, words/music BOB DYLAN; as performed by BOB DYLAN (1962)
  9. BLUE MOON OF KENTUCKY, words/music BILL MONROE (1946); as performed by BILL MONROE AND HIS BLUE GRASS BOYS (1954)
  10. BLUE SUEDE SHOES, CARL PERKINS; as performed by CARL PERKINS (1955)
  11. BODY AND SOUL, words EDWARD HEYMAN/ROBERT SOUR/FRANK EYTON, music JOHNNY GREEN (1930); as performed by COLEMAN HAWKINS & HIS ORCHESTRA (1939)
  12. BORN TO RUN (LP), BRUCE SPRINGSTEEN (1975)
  13. A CHORUS LINE (musical), words EDWARD KLEBAN/music MARVIN HAMLISCH (1975)
  14. COAL MINER'S DAUGHTER, words/music LORETTA LYNN; as performed by LORETTA LYNN (1970)
  15. CRAZY, words/music WILLIE NELSON; as performed by PATSY CLINE (1961)
  16. DJANGO, JOHN LEWIS; as performed by THE MODERN JAZZ QUARTET (1954)
  17. DREAM A LITTLE DREAM OF ME, words GUS KAHN/music WILBUR SCHWANDT and FABIAN ANDRE (1931)
  18. DRUMMING, STEVE REICH (1971)
  19. FIDDLER ON THE ROOF (musical), words SHELDON HARNICK/music JERRY BOCK (1964)
  20. FINE AND MELLOW, words/music BILLIE HOLIDAY (1940); as performed by BILLIE HOLIDAY with MAL WALDRON ALL-STARS on "The Sound of Jazz" (CBS-TV) (1957)
  21. FIRE AND RAIN, words/music JAMES TAYLOR; as performed by JAMES TAYLOR (1970)
  22. FOGGY MOUNTAIN BREAKDOWN, EARL SCRUGGS; as performed by LESTER FLATT and EARL SCRUGGS and the FOGGY MOUNTAIN BOYS (1949)
  23. 4:33, JOHN CAGE (1952)
  24. GIVE MY REGARDS TO BROADWAY, words/music GEORGE M. COHAN (1904)
  25. GONE WITH THE WIND (film score), MAX STEINER (1939)
  26. GOOD VIBRATIONS, words MIKE LOVE/BRIAN WILSON, music BRIAN WILSON; as performed by THE BEACH BOYS (1966)
  27. GRACELAND (LP), PAUL SIMON (1986)
  28. GRAND CANYON SUITE, FERDE GROFE (1931)
  29. GREAT BALLS OF FIRE, words/music OTIS BLACKWELL/JACK HAMMER; as performed by JERRY LEE LEWIS (1957)
  30. THE GREAT PRETENDER, words/music BUCK RAM; as performed by THE PLATTERS (1955)
  31. GUYS AND DOLLS (musical), words/music FRANK LOESSER (1950)
  32. HELLHOUND ON MY TRAIL, words/music ROBERT JOHNSON; as performed by ROBERT JOHNSON (1937)
  33. HELLO DOLLY, words/music JERRY HERMAN; as performed by LOUIS ARMSTRONG (1963)
  34. HIS EYE IS ON THE SPARROW, words/music C.D. MARTIN/C.H. GABRIEL; as performed by MAHALIA JACKSON (1958)
  35. HOOCHIE COOCHIE MAN, words/music WILLIE DIXON; as performed by MUDDY WATERS (1954)
  36. HOUND DOG/DON'T BE CRUEL, words/music JERRY LEIBER/MIKE STOLLER; OTIS BLACKWELL/ELVIS PRESLEY; as performed by ELVIS PRESLEY (1956)
  37. I GOT RHYTHM, words IRA GERSHWIN/music GEORGE GERSHWIN (1930)
  38. I WALK THE LINE, words/music JOHNNY CASH; as performed by JOHNNY CASH (1956)
  39. I WANNA BE SEDATED, words/music RAMONES; as performed by RAMONES (1978)
  40. I'M SO LONESOME I COULD CRY, words/music HANK WILLIAMS; as performed by HANK WILLIAMS (1949)
  41. IN THE MOOD, words ANDY RAZAF/music JOE GARLAND (1938), as performed by GLENN MILLER & HIS ORCHESTRA (1939)
  42. (GOODNIGHT) IRENE, words/music HUDDIE LEDBETTER (LEAD BELLY)/JOHN LOMAX (1936)
  43. KIND OF BLUE (LP), MILES DAVIS (1959)
  44. KING PORTER STOMP, JELLY ROLL MORTON (1923)
  45. KO KO, CHARLIE PARKER; as performed by CHARLIE PARKER (1945)
  46. LA BAMBA, words/music WILLIAM CLAUSON; as performed by RITCHIE VALENS (1958)
  47. LET'S STAY TOGETHER, words/music AL GREEN/WILLIE MITCHELL/AL JACKSON; as performed by AL GREEN (1971)
  48. LIGHT MY FIRE, words/music JOHN DENSMORE/ROBERT KRIEGER/RAYMOND MANZAREK/JIM MORRISON; as performed by THE DOORS (1967)
  49. LIKE A ROLLING STONE, words/music BOB DYLAN; as performed by BOB DYLAN (1965)
  50. A LOVE SUPREME (LP), JOHN COLTRANE (1964)
  51. MACK THE KNIFE, words MARC BLITZSTEIN (after BERTOLT BRECHT)/music KURT WEILL (1928/1956)
  52. MAYBELLENE, words/music CHUCK BERRY; as performed by CHUCK BERRY & HIS COMBO (1955)
  53. MOOD INDIGO, words/music EDWARD KENNEDY "DUKE" ELLINGTON/ALBANY "BARNEY" BIGARD/IRVING MILLS ; as performed by DUKE ELLINGTON AND HIS ORCHESTRA (1930)
  54. MY FAIR LADY (musical), words ALAN JAY LERNER/music FREDERICK LOEWE (1956)
  55. MY FUNNY VALENTINE, words LORENZ HART/music RICHARD RODGERS (1937)
  56. MY GIRL, words/music WILLIAM ROBINSON/RONALD WHITE; as performed by THE TEMPTATIONS (1964)
  57. NIGHT AND DAY, words/music COLE PORTER (1932)
  58. A NIGHT IN TUNISIA, JOHN BIRKS "DIZZY" GILLESPIE/FRANK PAPARELLI (1944); as recorded by DIZZY GILLESPIE AND HIS ORCHESTRA (1946)
  59. OKLAHOMA! (musical), words OSCAR HAMMERSTEIN/music RICHARD RODGERS (1943)
  60. ONCE IN A LIFETIME, words/music DAVID BYRNE/BRIAN ENO/TALKING HEADS; as performed by TALKING HEADS (1980)
  61. ONE O'CLOCK JUMP, WILLIAM "COUNT" BASIE; as performed by THE COUNT BASIE ORCHESTRA (1937)
  62. OYE COMO VA, words/music TITO PUENTE (1963); as performed by SANTANA (1970)
  63. PAPA'S GOT A BRAND NEW BAG, words/music JAMES BROWN; as performed by JAMES BROWN (1965)
  64. PEGGY SUE, words/music JERRY ALLISON/BUDDY HOLLY/NORMAN PETTY; as recorded by BUDDY HOLLY (1957)
  65. PORGY AND BESS (opera), words IRA GERSHWIN/DUBOSE HEYWARD/music GEORGE GERSHWIN (1935)
  66. PSYCHO (film score), BERNARD HERRMANN (1960)
  67. PURPLE HAZE, words/music JIMI HENDRIX; as performed by THE JIMI HENDRIX EXPERIENCE (1967)
  68. RAPPER'S DELIGHT, words/music BERNARD EDWARDS/NILE RODGERS; as performed by SUGARHILL GANG (1979)
  69. RESPECT, words/music OTIS REDDING (1965); as performed by ARETHA FRANKLIN (1967)
  70. RHAPSODY IN BLUE, GEORGE GERSHWIN (1924); orchestrated by FERDE GROFE (1924/1926/1942)
  71. (WE'RE GONNA) ROCK AROUND THE CLOCK, words/music MAX FREEDMAN/JAMES MYERS a.k.a. JIMMY DE KNIGHT (1953); first recorded by BILL HALEY & HIS COMETS (1954)
  72. 'ROUND MIDNIGHT, words BERNARD HANIGHEN; music THELONIOUS MONK/COOTIE WILLIAMS (1944)
  73. (GET YOUR KICKS ON) ROUTE 66, words/music BOBBY TROUP; as performed by THE KING COLE TRIO (1946)
  74. THE ST. LOUIS BLUES, words/music W.C. HANDY (1914); as performed by BESSIE SMITH (1925)
  75. SHOW BOAT (musical), words OSCAR HAMMERSTEIN/music JEROME KERN (1927)
  76. SING, SING, SING, words/music LOUIS PRIMA (1936), as arranged by JIMMY MUNDY and performed by BENNY GOODMAN & HIS ORCHESTRA at Carnegie Hall (1938)
  77. SINGIN' IN THE RAIN (film musical), words/music ARTHUR FREED/NACIO HERB BROWN (1952)
  78. (SITTIN' ON) THE DOCK OF THE BAY, words/music OTIS REDDING/STEVE CROPPER; as performed by OTIS REDDING (1967)
  79. SMELLS LIKE TEEN SPIRIT, words KURT COBAIN/music NIRVANA; as performed by NIRVANA (1991)
  80. STAND BY YOUR MAN, words/music TAMMY WYNETTE/BILLY SHERRILL; as performed by TAMMY WYNETTE (1968)
  81. STAR DUST, words MITCHELL PARISH/music HOAGY CARMICHAEL (1927)
  82. SYMPHONY OF PSALMS, IGOR STRAVINSKY (1930/1948)
  83. TAKE FIVE, PAUL DESMOND; as performed by THE DAVE BRUBECK QUARTET (1959)
  84. TAKE MY HAND, PRECIOUS LORD, words/music THOMAS A. DORSEY (1932)
  85. TAKE THE "A" TRAIN, BILLY STRAYHORN; as performed by DUKE ELLINGTON AND HIS ORCHESTRA (1941)
  86. TALKING BOOK (LP), STEVIE WONDER (1972)
  87. TAPESTRY (LP), CAROLE KING (1971)
  88. THEME FROM "SHAFT", words/music ISAAC HAYES; as performed by ISAAC HAYES (1971)
  89. THIS LAND IS YOUR LAND, words/music WOODY GUTHRIE (1940)
  90. TOM DOOLEY, Traditional; as arranged by DAVE GUARD and performed by KINGSTON TRIO (1958)
  91. THE VELVET UNDERGROUND & NICO (LP), THE VELVET UNDERGROUND (1967)
  92. WARNER BROS. CARTOON MUSIC, CARL STALLING (1936 to 1958)
  93. WE SHALL OVERCOME, words/music ZILPHIA HORTON, FRANK HAMILTON, GUY CARAWAN, PETE SEEGER (1960); believed to have originated from C. ALBERT TINDLEY'S Baptist hymn I'LL OVERCOME SOME DAY (1901)
  94. WEST END BLUES, words CLARENCE WILLIAMS, music JOE OLIVER; as performed by LOUIS ARMSTRONG AND HIS HOT FIVE (1928)
  95. WEST SIDE STORY (musical), words STEPHEN SONDHEIM/music LEONARD BERNSTEIN (1957)
  96. WHAT'D I SAY, words/music RAY CHARLES; as performed by RAY CHARLES (1959)
  97. WHAT'S GOING ON, words/music AL CLEVELAND, MARVIN GAYE, and RENALDO BENSON (1970); as performed by MARVIN GAYE (1971)
  98. WHITE CHRISTMAS, words/music IRVING BERLIN (1942); as performed by BING CROSBY (1942)
  99. WILDWOOD FLOWER, words/music MAUDE IRVING/J.P. WEBSTER; as arranged by A.P CARTER and performed by CARTER FAMILY (1928)
  100. WIZARD OF OZ (film musical), words E.Y. "YIP" HARBURG/music HAROLD ARLEN (1939)
Read more…

Blog Topics by Tags

Monthly Archives