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Why Drinking Tea Was Once Considered A Dangerous Habit

by Allison Aubrey (NPR)

tea-dc99236d99f79af7c58e33f67d40b47ca3af2b85-s4.jpgTea a dangerous habit? Women have long made a ritual of it, but in 19th century Ireland, moral reformers tried to talk them out of it. At the time, tea was considered a luxury, and taking the time to drink it was an affront to the morals of frugality and restraint.

Given tea's rap today as both a popular pick-me-up and a health elixir, it's hard to imagine that sipping tea was once thought of as a reckless, suspicious act, linked to revolutionary feminism.

Huh? Well, the feminist complaints came from 19th century, upper class Irish critics who argued that peasant women shouldn't be wasting their time — and limited resources — on tea. If women had time to sit down and enjoy a tea break, this must mean they were ignoring their domestic duties and instead, perhaps, opening the door to political engagement or even rebellion.

"Drinking tea was thought to threaten traditional ways," explains researcher Helen O'Connell of Durham University in the UK. In the 1800s, tea was an affront to the virtues of frugality and restraint, which underpinned rural Irish culture.

In a new paper published in the journal Literature and History, O'Connell explores the angst about tea by combing through popular pamphlets — or short works of fiction — published in the 1800s. The pamphlets were published by reformers who were trying to weave tales of morality and clean-living into story form.

In one pamphlet, "Cottage Dialouges," written by the Irish Quaker author and reformer Mary Leadbeater, a dialogue between two women makes it clear that tea-drinking was considered a lavish, irresponsible behavior that could be habit-forming. Though the characters don't know the language of addiction, they use the phrase "hankering after it" — as if to suggest that once you'd had your first cup of tea, it would impossible to stop or control your longings. Adding to this suggestion is the fact that tea was sold at liquor stores.

The reformers' campaign against tea took on another moral outrage too: slavery. Since tea was typically sweetened with sugar at the time, reformers in Ireland tried to convince people that tea-drinking was akin to drinking the blood of slaves who were forced to work the plantations where sugar was produced.

O'Connell says clearly, in the end, the campaign against tea was not successful. Consumption of tea continued to grow steadily during this period.

To us, the campaign against tea, particularly the suggestions it may lead to revolutionary feminism, may seem crazy.

But in some ways, O'Connell says, "contemporary culture has all of these ideas about food which might appear ludicrous in time to come."

Any examples come to mind? "Maybe organic food, I don't know," O'Connell says. Or maybe the way we obsess over gluten. "Working on this project has made me a bit more critical of food discourse," she says. "Our passions and beliefs sometimes take over."

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npr100sm2.jpg?profile=RESIZE_400xThroughout the year 2000, NPR presented the stories behind 100 of the most important American musical works of the 20th century. These special features cover music from a wide variety of genres -- classical, jazz, rock'n'roll, country, R&B, musical theatre and film scores. NPR 100 stories aired on All Things Considered, Morning Edition, and NPR's weekend news magazine programs.

You can listen to and download most of the tracks which are still available on their web site.

The NPR 100 Archive

 

Here are a few random Examples:

 

Like a Rolling Stone

I Walk The Line

Gone With The Wind

Wildwood Flower

White Christmas

The Wizard Of Oz

The Sock-It-To-Me Truth Of 'Respect'

I'm So Lonesome I Could Cry

 

 

The List Available in The Archive

 

  1. ADAGIO FOR STRINGS, SAMUEL BARBER (1938)
  2. AIN'T THAT A SHAME, words/music ANTOINE "FATS" DOMINO/DAVE BARTHOLOMEW; as performed by FATS DOMINO (1955)
  3. ALEXANDER'S RAGTIME BAND, words/music IRVING BERLIN (1911)
  4. ALL OR NOTHING AT ALL, words/music JACK LAWRENCE/ARTHUR ALTMAN; as performed by FRANK SINATRA with HARRY JAMES & HIS ORCHESTRA (1939)
  5. APPALACHIAN SPRING, AARON COPLAND (1944)
  6. AS TIME GOES BY, words/music HERMAN HUPFELD (1931)
  7. BACK IN THE SADDLE AGAIN, words/music RAY WHITLEY/GENE AUTRY; as performed by GENE AUTRY (1939)
  8. BLOWIN' IN THE WIND, words/music BOB DYLAN; as performed by BOB DYLAN (1962)
  9. BLUE MOON OF KENTUCKY, words/music BILL MONROE (1946); as performed by BILL MONROE AND HIS BLUE GRASS BOYS (1954)
  10. BLUE SUEDE SHOES, CARL PERKINS; as performed by CARL PERKINS (1955)
  11. BODY AND SOUL, words EDWARD HEYMAN/ROBERT SOUR/FRANK EYTON, music JOHNNY GREEN (1930); as performed by COLEMAN HAWKINS & HIS ORCHESTRA (1939)
  12. BORN TO RUN (LP), BRUCE SPRINGSTEEN (1975)
  13. A CHORUS LINE (musical), words EDWARD KLEBAN/music MARVIN HAMLISCH (1975)
  14. COAL MINER'S DAUGHTER, words/music LORETTA LYNN; as performed by LORETTA LYNN (1970)
  15. CRAZY, words/music WILLIE NELSON; as performed by PATSY CLINE (1961)
  16. DJANGO, JOHN LEWIS; as performed by THE MODERN JAZZ QUARTET (1954)
  17. DREAM A LITTLE DREAM OF ME, words GUS KAHN/music WILBUR SCHWANDT and FABIAN ANDRE (1931)
  18. DRUMMING, STEVE REICH (1971)
  19. FIDDLER ON THE ROOF (musical), words SHELDON HARNICK/music JERRY BOCK (1964)
  20. FINE AND MELLOW, words/music BILLIE HOLIDAY (1940); as performed by BILLIE HOLIDAY with MAL WALDRON ALL-STARS on "The Sound of Jazz" (CBS-TV) (1957)
  21. FIRE AND RAIN, words/music JAMES TAYLOR; as performed by JAMES TAYLOR (1970)
  22. FOGGY MOUNTAIN BREAKDOWN, EARL SCRUGGS; as performed by LESTER FLATT and EARL SCRUGGS and the FOGGY MOUNTAIN BOYS (1949)
  23. 4:33, JOHN CAGE (1952)
  24. GIVE MY REGARDS TO BROADWAY, words/music GEORGE M. COHAN (1904)
  25. GONE WITH THE WIND (film score), MAX STEINER (1939)
  26. GOOD VIBRATIONS, words MIKE LOVE/BRIAN WILSON, music BRIAN WILSON; as performed by THE BEACH BOYS (1966)
  27. GRACELAND (LP), PAUL SIMON (1986)
  28. GRAND CANYON SUITE, FERDE GROFE (1931)
  29. GREAT BALLS OF FIRE, words/music OTIS BLACKWELL/JACK HAMMER; as performed by JERRY LEE LEWIS (1957)
  30. THE GREAT PRETENDER, words/music BUCK RAM; as performed by THE PLATTERS (1955)
  31. GUYS AND DOLLS (musical), words/music FRANK LOESSER (1950)
  32. HELLHOUND ON MY TRAIL, words/music ROBERT JOHNSON; as performed by ROBERT JOHNSON (1937)
  33. HELLO DOLLY, words/music JERRY HERMAN; as performed by LOUIS ARMSTRONG (1963)
  34. HIS EYE IS ON THE SPARROW, words/music C.D. MARTIN/C.H. GABRIEL; as performed by MAHALIA JACKSON (1958)
  35. HOOCHIE COOCHIE MAN, words/music WILLIE DIXON; as performed by MUDDY WATERS (1954)
  36. HOUND DOG/DON'T BE CRUEL, words/music JERRY LEIBER/MIKE STOLLER; OTIS BLACKWELL/ELVIS PRESLEY; as performed by ELVIS PRESLEY (1956)
  37. I GOT RHYTHM, words IRA GERSHWIN/music GEORGE GERSHWIN (1930)
  38. I WALK THE LINE, words/music JOHNNY CASH; as performed by JOHNNY CASH (1956)
  39. I WANNA BE SEDATED, words/music RAMONES; as performed by RAMONES (1978)
  40. I'M SO LONESOME I COULD CRY, words/music HANK WILLIAMS; as performed by HANK WILLIAMS (1949)
  41. IN THE MOOD, words ANDY RAZAF/music JOE GARLAND (1938), as performed by GLENN MILLER & HIS ORCHESTRA (1939)
  42. (GOODNIGHT) IRENE, words/music HUDDIE LEDBETTER (LEAD BELLY)/JOHN LOMAX (1936)
  43. KIND OF BLUE (LP), MILES DAVIS (1959)
  44. KING PORTER STOMP, JELLY ROLL MORTON (1923)
  45. KO KO, CHARLIE PARKER; as performed by CHARLIE PARKER (1945)
  46. LA BAMBA, words/music WILLIAM CLAUSON; as performed by RITCHIE VALENS (1958)
  47. LET'S STAY TOGETHER, words/music AL GREEN/WILLIE MITCHELL/AL JACKSON; as performed by AL GREEN (1971)
  48. LIGHT MY FIRE, words/music JOHN DENSMORE/ROBERT KRIEGER/RAYMOND MANZAREK/JIM MORRISON; as performed by THE DOORS (1967)
  49. LIKE A ROLLING STONE, words/music BOB DYLAN; as performed by BOB DYLAN (1965)
  50. A LOVE SUPREME (LP), JOHN COLTRANE (1964)
  51. MACK THE KNIFE, words MARC BLITZSTEIN (after BERTOLT BRECHT)/music KURT WEILL (1928/1956)
  52. MAYBELLENE, words/music CHUCK BERRY; as performed by CHUCK BERRY & HIS COMBO (1955)
  53. MOOD INDIGO, words/music EDWARD KENNEDY "DUKE" ELLINGTON/ALBANY "BARNEY" BIGARD/IRVING MILLS ; as performed by DUKE ELLINGTON AND HIS ORCHESTRA (1930)
  54. MY FAIR LADY (musical), words ALAN JAY LERNER/music FREDERICK LOEWE (1956)
  55. MY FUNNY VALENTINE, words LORENZ HART/music RICHARD RODGERS (1937)
  56. MY GIRL, words/music WILLIAM ROBINSON/RONALD WHITE; as performed by THE TEMPTATIONS (1964)
  57. NIGHT AND DAY, words/music COLE PORTER (1932)
  58. A NIGHT IN TUNISIA, JOHN BIRKS "DIZZY" GILLESPIE/FRANK PAPARELLI (1944); as recorded by DIZZY GILLESPIE AND HIS ORCHESTRA (1946)
  59. OKLAHOMA! (musical), words OSCAR HAMMERSTEIN/music RICHARD RODGERS (1943)
  60. ONCE IN A LIFETIME, words/music DAVID BYRNE/BRIAN ENO/TALKING HEADS; as performed by TALKING HEADS (1980)
  61. ONE O'CLOCK JUMP, WILLIAM "COUNT" BASIE; as performed by THE COUNT BASIE ORCHESTRA (1937)
  62. OYE COMO VA, words/music TITO PUENTE (1963); as performed by SANTANA (1970)
  63. PAPA'S GOT A BRAND NEW BAG, words/music JAMES BROWN; as performed by JAMES BROWN (1965)
  64. PEGGY SUE, words/music JERRY ALLISON/BUDDY HOLLY/NORMAN PETTY; as recorded by BUDDY HOLLY (1957)
  65. PORGY AND BESS (opera), words IRA GERSHWIN/DUBOSE HEYWARD/music GEORGE GERSHWIN (1935)
  66. PSYCHO (film score), BERNARD HERRMANN (1960)
  67. PURPLE HAZE, words/music JIMI HENDRIX; as performed by THE JIMI HENDRIX EXPERIENCE (1967)
  68. RAPPER'S DELIGHT, words/music BERNARD EDWARDS/NILE RODGERS; as performed by SUGARHILL GANG (1979)
  69. RESPECT, words/music OTIS REDDING (1965); as performed by ARETHA FRANKLIN (1967)
  70. RHAPSODY IN BLUE, GEORGE GERSHWIN (1924); orchestrated by FERDE GROFE (1924/1926/1942)
  71. (WE'RE GONNA) ROCK AROUND THE CLOCK, words/music MAX FREEDMAN/JAMES MYERS a.k.a. JIMMY DE KNIGHT (1953); first recorded by BILL HALEY & HIS COMETS (1954)
  72. 'ROUND MIDNIGHT, words BERNARD HANIGHEN; music THELONIOUS MONK/COOTIE WILLIAMS (1944)
  73. (GET YOUR KICKS ON) ROUTE 66, words/music BOBBY TROUP; as performed by THE KING COLE TRIO (1946)
  74. THE ST. LOUIS BLUES, words/music W.C. HANDY (1914); as performed by BESSIE SMITH (1925)
  75. SHOW BOAT (musical), words OSCAR HAMMERSTEIN/music JEROME KERN (1927)
  76. SING, SING, SING, words/music LOUIS PRIMA (1936), as arranged by JIMMY MUNDY and performed by BENNY GOODMAN & HIS ORCHESTRA at Carnegie Hall (1938)
  77. SINGIN' IN THE RAIN (film musical), words/music ARTHUR FREED/NACIO HERB BROWN (1952)
  78. (SITTIN' ON) THE DOCK OF THE BAY, words/music OTIS REDDING/STEVE CROPPER; as performed by OTIS REDDING (1967)
  79. SMELLS LIKE TEEN SPIRIT, words KURT COBAIN/music NIRVANA; as performed by NIRVANA (1991)
  80. STAND BY YOUR MAN, words/music TAMMY WYNETTE/BILLY SHERRILL; as performed by TAMMY WYNETTE (1968)
  81. STAR DUST, words MITCHELL PARISH/music HOAGY CARMICHAEL (1927)
  82. SYMPHONY OF PSALMS, IGOR STRAVINSKY (1930/1948)
  83. TAKE FIVE, PAUL DESMOND; as performed by THE DAVE BRUBECK QUARTET (1959)
  84. TAKE MY HAND, PRECIOUS LORD, words/music THOMAS A. DORSEY (1932)
  85. TAKE THE "A" TRAIN, BILLY STRAYHORN; as performed by DUKE ELLINGTON AND HIS ORCHESTRA (1941)
  86. TALKING BOOK (LP), STEVIE WONDER (1972)
  87. TAPESTRY (LP), CAROLE KING (1971)
  88. THEME FROM "SHAFT", words/music ISAAC HAYES; as performed by ISAAC HAYES (1971)
  89. THIS LAND IS YOUR LAND, words/music WOODY GUTHRIE (1940)
  90. TOM DOOLEY, Traditional; as arranged by DAVE GUARD and performed by KINGSTON TRIO (1958)
  91. THE VELVET UNDERGROUND & NICO (LP), THE VELVET UNDERGROUND (1967)
  92. WARNER BROS. CARTOON MUSIC, CARL STALLING (1936 to 1958)
  93. WE SHALL OVERCOME, words/music ZILPHIA HORTON, FRANK HAMILTON, GUY CARAWAN, PETE SEEGER (1960); believed to have originated from C. ALBERT TINDLEY'S Baptist hymn I'LL OVERCOME SOME DAY (1901)
  94. WEST END BLUES, words CLARENCE WILLIAMS, music JOE OLIVER; as performed by LOUIS ARMSTRONG AND HIS HOT FIVE (1928)
  95. WEST SIDE STORY (musical), words STEPHEN SONDHEIM/music LEONARD BERNSTEIN (1957)
  96. WHAT'D I SAY, words/music RAY CHARLES; as performed by RAY CHARLES (1959)
  97. WHAT'S GOING ON, words/music AL CLEVELAND, MARVIN GAYE, and RENALDO BENSON (1970); as performed by MARVIN GAYE (1971)
  98. WHITE CHRISTMAS, words/music IRVING BERLIN (1942); as performed by BING CROSBY (1942)
  99. WILDWOOD FLOWER, words/music MAUDE IRVING/J.P. WEBSTER; as arranged by A.P CARTER and performed by CARTER FAMILY (1928)
  100. WIZARD OF OZ (film musical), words E.Y. "YIP" HARBURG/music HAROLD ARLEN (1939)
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Have Gun-Will Travel


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The Have Gun-Will Travel radio show broadcast 106 episodes on CBS between November 23, 1958, and November 22, 1960. It was one of the last radio dramas featuring continuing characters and the only significant American radio adaptation of a television series. John Dehner (a regular on the radio series version of Gunsmoke) played Paladin, and Ben Wright usually (but not always) played Hey Boy. Virginia Gregg played the role of Miss Wong, Hey Boy's girlfriend, before the television series began featuring the character of Hey Girl. Unlike the small-screen version, in this medium, there was usually a tag scene back at the Carlton at both the beginning and the end of the episode. Initially, the episodes were adaptations of the television program as broadcast earlier the same week, but eventually, original stories were produced, including a finale ("Goodbye, Paladin") in which Paladin left San Francisco, apparently forever, to claim an inheritance back East. The radio version of the show was written by producer/writer Roy Winsor.





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Twilight Zone - Still Valley

Still_Valley.jpgA Confederate soldier has the ability to win the Civil War for the South, but to do so, he must call upon the Devil himself as an ally.

Starring Adam West (Batman, Family Guy) with Stacy Keach as narrator.

 

http://www.talkzone.com/uploads/audio/twilight070929a.mp3

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http://www.talkzone.com/uploads/audio/twilight070929d.mp3

 

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When the West Was Fun: A Western Reunion

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“When the West Was Fun: A Western Reunion,” this ABC special event was the highest rated special for the network in 1979. Let's pay tribute to the greatest Cowboys and their shows!

Hosted by Glenn Ford and set in a western saloon, it served as a reunion for many of the people who played in popular western series and films over the years, including cast members from "The Lone Ranger", "The High Chaparral", "The Virginian", "Lawman", "Gunsmoke" and many others.

 

The quality of the clip gets better as it goes along!

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Radio National cuts a blow for the arts in Australia

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ABC Radio drama team broadcasting a play in 1935.

 

From Community and Public Sector Union

The CPSU is calling on ABC management to reconsider their decision to axe senior staff and programs at Radio National.

Last week the ABC announced plans to axe up to eleven staff from radio drama, features and the Breakfast program. Programs on the chopping block include Airplay, The Book Reading, Night Air and Sunday Story.

CPSU National President Michael Tull said it is an "appalling decision" which will damage the ABC's capacity and reputation.

"We are particularly concerned that management seem to be targeting some of the broadcaster's most experienced creative and talented staff.

"At this stage we are still consulting with the ABC and have asked for more details.

"The CPSU opposes to any forced redundancies and we also question the necessity of redundancies at all.

"ABC Management need to explain why they are making such a big decision before they know what the ABC's triennial funding will be," said Mr Tull.

According to the union, the proposed cuts are a threat to an important part of the Australian cultural life.

"Radio plays and book readings are a unique ABC tradition dating back to the 1930's. But they're also part of the intellectual and cultural life of the country right now, providing a forum and audience for Australian artists and writers. Read Full Story

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Mutual Radio Theater






First show: Mar 3, 1980 Original shows: 103 Last show: Dec 10, 1980
Number of programs aired including new and repeats: 210

Hosts: Lorne Greene, Andy Griffith, Vincent Price, Cicely Tyson, Leonard Nimoy

In December 1979 the Mutual Broadcasting System acquired the Sears Radio Theater renaming it, the MUTUAL Radio Theater. It retained the same format as before with the same theme for different nights of the week. Lorne Greene remained host for Monday's Western night, Andy Griffith handled Tuesday's Comedy, Vincent Price still was host for Mystery on Wednesdays, Cicely Tyson did Love on Thursday, while Leonard Nimoy was now the Friday night Adventure host. As before the series aired week nights, Monday through Friday.

The Mutual Radio Theater debuted Mar 3, 1980 and was to run for 13 weeks on almost 300 stations. The shows were then to be repeated over the summer and fall. It proved to be fairly successful and another 8 weeks of original programs were added; this was followed by another 8 weeks of repeats. The series was broadcast in stereo, making it the only commercial radio network drama program in the nation to use this technology at the time.

Great writers were employed for this series including Arch Oboler and Norman Corwin. Good choices were made when it came to cast members. Old familiar voices and names included Janet Waldo, John Dehner, Vic Perrin, Mary Jane Croft, Hans Conried, Marvin Miller, Parley Baer, Elliot Lewis, Jeff Corey, Virginia Gregg, Lesley Woods, Robert Rockwell and Lurene Tuttle. Then from movies and TV - Eve Arden, Keith Andes, Harriet Nelson, Aan Young, Tom Bosley and Marian Ross, Lloyd Bochner, Rick Jason, Frank Campanella, Toni Tennille, Arthur Hill, Dan O'Herlihy, Jesse White and Frank Nelson.


A curious note: Many collectors and vendors list a total of 104 broadcasts. Apparently what was done by them was to count a repeat of "The Ship", first broadcast on March 7, 1980 as another show when it was aired again during the first 13 week cycle (May 23, 1980).

 

You can find series in OTR Collections Group

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11032207075?profile=originalLit2Go is a free online collection of stories and poems in Mp3 (audiobook) format from the University of South Florida. An abstract, citation, playing time, and word count are given for each of the passages. Many of the passages also have a related reading strategy identified. Each reading passage can also be downloaded as a PDF.

All the books are available for free download or listen to online. Over 200 selections include everything from adventure to tragedy, Jules Verne to Sherlock Holmes. You will find the readers of the content to be excellent compared to other similar sites of classic literature.

Also available is a link for the books to open in iTunes. Here is a sample of "Twenty Thousand Leagues Under the Sea" by Jules Verne

 

Chapter 1

 

I added the link in the tab bar under audiobooks Lit2Go

 

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Jimmy Brown the Newsboy - Flatt and Scruggs

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With ample doses of talent, spirit, and charisma, Flatt and Scruggs rose to the popular peak of the bluegrass heap during their 17-year association with Columbia. With Lester Flatt's casual vocal style and Earl Scruggs's groundbreaking banjo technique, the Foggy Mountain Boys brought bluegrass into the country mainstream more so than either Bill Monroe or the Stanley Brothers.

Earl Scruggs is the great innovator and master of the 5-string banjo; but many do not know that he was also excellent on the guitar. This song, Jimmy Brown the Newsboy, features Earl on lead guitar.

Earl said that he learned a lot about guitar from his friend and neighbor, Mama Maybelle Carter. His style is very similar, except for finger movement.

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A Shroud of Thoughts: What a Character: Eddie Anderson

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It is a sad fact of life that the Golden Age of Hollywood was not a Golden Age for African Americans. Particularly in the Thirties, African American characters were often outright stereotypes. It was the era of Stepin Fetchit and Willie Best, actors whose speciality was playing characters who were stereotypically lazy, dim witted, and illiterate. Even in an era when offensive stereotypes permeated everything from big budget feature films to Warner Brothers cartoons, however, there were African American actors whose work would change the image of blacks on film for the positive. Among these actors was comedian Eddie Anderson, best known for playing Jack Benny's valet Rochester on the long running Jack Benny Programme.

Possessing an immediately recognisable, gravelly voice that was something like a foghorn, there can be no denying that Eddie "Rochester" Anderson was one of the most popular radio and television stars of the 20th Century regardless of race. In the course of his career he became the highest paid African American actor for a time and one of the highest paid stars in radio. And while Eddie Anderson is best known as Rochester, he also had a highly successful career as a character actor in motion pictures. Indeed, Paramount considered Eddie Anderson such a box office draw that they once wanted him for one of their Bob Hope movies. Jack Benny, who had Mr. Anderson under contract, turned Paramount down with the words, ""It's bad enough having him steal my pictures." Jack Benny may have had little success in motion pictures, but his comedy partner Eddie Anderson was a bona fide movie star, one who could have easily stolen a..........  (read full article)

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Internet Archive Amasses All TV News Since 2009

Storage ... Brewster Kahle, founder of the Internet Archive, in the company warehouse in California.

Storage ... Brewster Kahle, founder of the Internet Archive, in the company warehouse in California. Photo: The New York Times

 

Inspired by a pillar of antiquity, the Library of Alexandria, Brewster Kahle has a grand vision for the Internet Archive, the giant aggregator and digitiser of data, which he founded and leads.

"We want to collect all the books, music and video that has ever been produced by humans," Kahle said.

"We want to collect all the books, music and video that has ever been produced by humans."

Brewster Kahle, Internet Archive

As of Tuesday, the archive's online collection will include every morsel of news produced in the last three years by 20 different channels, encompassing more than 1,000 news series that have generated more than 350,000 separate programs devoted to news.

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Archived ... Jon Stewart's The Daily Show.

The latest ambitious effort by the archive, which has already digitized millions of books and tried to collect everything published on every web page for....... read more

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The Memoirs of Sherlock Holmes

Memoirs_of_sherlock_holmes.jpgThe Memoirs of Sherlock Holmes is a collection of Sherlock Holmes stories, originally published in 1894, by Arthur Conan Doyle.

 

Adventure 1: “Silver Blaze”
Sherlock Holmes investigates the disappearance of a race horse and the murder of its trainer.
Adventure 2: “The Yellow Face”
A man asks Holmes to investigate the strange behavior of his wife.
Adventure 3: “The Stockbroker’s Clerk”
Sherlock Holmes is faced with a case involving a man that is lured away from his place of business and is caught up in strange activity.
Adventure 4: “The Gloria Scott”
While in college, Holmes visits a friend and strikes a tender spot when talking to his friend’s father. This leads him into his investigation of a mystery involving blackmail.
Adventure 5: “The Musgrave Ritual”
Two of Musgrave’s domestic servants disappear after he catches the butler looking at the Musgrave ritual. He asks for Holmes’s assistance in finding them.
Adventure 6: “The Reigate Puzzle”
Holmes becomes involved with a case that involves a robbery of an invaluable assortment of things and then the murder of a coachman of a nearby estate.
Adventure 7: “The Crooked Man”
Holmes calls Watson to witness his last move in a case about the murder of a colonel. His wife is the prime suspect because they were having an argument when he died.
Adventure 8: “The Resident Patient”
A man is found in an unusual business agreement and entreats Holmes for his help.
Adventure 9: “The Greek Interpreter”
A man comes to Mycroft Holmes and tells him of his strange encounter. Sherlock Holmes then becomes involved because of his brother’s laziness.
Adventure 10: “The Naval Treaty, Part 1”
Dr. Watson receives a letter from an old friend that tells about a treaty that was stolen from his office. Watson refers the letter to Holmes to investigate.
Adventure 10: “The Naval Treaty, Part 2”
A conitnuation of part 1 in which Dr. Watson receives a letter from an old friend that tells about a treaty that was stolen from his office. Watson refers the letter to Holmes to investigate.
Adventure 11: “The Final Problem”
Holmes arrives at Watson’s home after escaping three murder attempts and a threat from his nemesis Moriarty. Holmes is determined to bring Moriarty to terms in order to uphold justice and make his career.
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BBC Radio at 90: The Listeners' Archive

by Trevor Dann

Trevor Dann and his first tape recorder

Trevor Dann and his first tape recorder

 

Do you remember all those warnings about home taping? Did you ignore them and furtively record some of your favourite radio shows anyway? Do you have an attic or a garage or even an old cardboard box under the spare bed full of tapes or cassettes of Pick of the Pops, Saturday ClubEasy Beat, Top Gear or Housewives’ Choice?

Well the good news is you got away with it!

Not only that, but the BBC would love to recover some of the great shows it broadcast and didn’t archive. And as part of the Corporation’s brilliant 90th anniversary celebrations, it’s declaring a radio amnesty, and asking you to help.

That’s me above with my first tape recorder. My Dad bought it for me as a present for passing the 11 Plus (it was like Year 6 SATs kids!) and it set me on the road to a lifetime in radio including spells as head of music at Radio 1 and chief exec of the Radio Academy.

These days I work as an independent producer and it was while my colleague Heather Davies and I were working on our mammoth 50-part series, Sounds of the 20th Century for Radio 2, that we realised the need for a project like this.

The BBC’s sound archive is a terrific resource for (more...)

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Bob Dylan’s 35th studio album Tempest reveals that he has lost none of his fire.

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What should we expect from Bob Dylan in 2012? After 50 years on the road, it is surely remarkable that rock’s greatest and most revered lyricist is still going at all, let alone fiercely engaged with music, still performing hundreds of gigs a year, still writing and recording. Tempest, released by Columbia Records next week, will be Dylan’s 35th studio album. What is even more remarkable is that it is among his best ever.

If there has been a criticism of Dylan’s later work, it is that the lyricism only rarely touches the poetic heights of his classic Sixties and Seventies songs. He has had a tendency to write in simple, bluesy rhyming couplets with phrases liberally borrowed from traditional songs. There is a sense of patchwork in which tension often derives from collision and contrast, the friction of ideas, characters and images rubbing up against each other in places where you are not quite sure they really belong. While Tempest maintains some of this jackdaw sensibility, Dylan sounds genuinely fired up by the possibilities of language. The whole album resounds with snappy jokes and dark ruminations, vivid sketches and philosophical asides. (The TELEGRAPH) read more...

 

The full album is streaming for a limited time directly on iTunes by following this link. trans.gif

 

So, what do you think?  I like the track "Roll On John" about Lennon and "Duquesne Whistle", here is video.

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Why Did The Duck Cross The Road?

599px-Tunnel_of_ducks.jpgIt's a good question when you take into account the terrifying traffic zooming past this duck family on a Toronto highway.

A Fox News chopper caught the heart-stopping adventure on video. Watch it below:

 

 

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CBS, David Mamet Developing 'Have Gun - Will Travel' Reboot

davidmamet.jpgThe network has made a script deal for the CBS TV Studios-produced Western, which originally aired on CBS from 1957-63.

CBS is looking to reboot Have Gun - Will Travel with two-time Oscar-nominated writer David Mamet at the helm.

The network has made a script deal for the CBS TV Studios-produced Western, which originally aired on CBS from 1957-63. During its six-season run, the drama starring Richard Boone as Paladin not only delivered top-five ratings but also spawned a successful radio show.

If ultimately ordered to series, Have Gun could join Vegas, an upcoming Western starring Dennis Quaid and Michael Chiklis, on CBS' schedule. The genre generated heat last year at this time, with many of the broadcast network developing such projects as NBC's The Frontier and Fox's Wyatt Earp effort. More

Here's a look at the opening sequence for the original "Have Gun - Will Travel":

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Pink Martini releases Diller recording of 'Smile'

Pink Martini releases Diller recording of 'Smile'


Phyllis_Diller_Allan_Warren.jpgNASHVILLE, Tenn. (AP) — Music collective Pink Martini has released the last song Phyllis Diller recorded, Charlie Chaplin's "Smile," as a fitting tribute to her memory.

The voice of the late comedian is immediately recognizable on the recording, perhaps a little more wizened, but still strong and full of emotion.

Diller died Monday in Los Angeles at age 95. The song was recorded last February by Pink Martini bandleader Thomas Lauderdale for the Portland, Ore., collective's next album.

Lauderdale says he may add strings and a clarinet to the simple piano-and-voice recording before the album, "Get Happy," comes out next spring. More

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The statue of Sherlock Holmes has today been reinstated in Picardy Place, three years after it was removed to make way for tram works. Councillor
Lesley Hinds, Transport Convener, said:

"Commissioned to mark the birthplace of his creator Arthur Conan Doyle, the magnificent statue of
Sherlock Holmes has been ...More

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