I got what I think is good news today. If it comes through, this is huge for Holmes's fans.
We've got some big news today!
The 1916 film version of SHERLOCK HOLMES starring William Gillette has been found, and will be restored by SFSFF and La Cinémathèque française!
Long considered lost since its first release, the Gillette film is a vital missing link in the history of Holmes on screen. Directed by Arthur Berthelet and produced by Essanay Studios in 1916, it was discovered at La Cinémathèque only a few weeks ago.
By the time the film was made, Gillette had been established as the world’s foremost interpreter of Holmes on stage. He gave his face and manner to the detective and inspired the classic illustrations of Frederic Dorr Steele. Dynamic but calm, he played Holmes in the colorful attire—bent-stemmed briar, ornate dressing gown, and deerstalker cap—that has been identified ever since with the character. Just as durable was Gillette’s distinctive bearing, preserved in the film: the charismatic, all-seeing detective who dominates scenes with his preternatural stillness.
Booth Tarkington famously wrote after seeing Gillette on stage, “I would rather see you play Sherlock Holmes than be a child again on Christmas morning.” For the well-known Chicago bookman, Vincent Starrett, Gillette was beyond criticism. But perhaps the most telling accolade came from Arthur Conan Doyle himself, who had killed Holmes off and thought he was through with the character. After reading Gillette’s adaptation for the stage, he said, “It’s good to see the old chap back.”
“Sir Arthur, you don’t know the half of it,” says Professor Russell Merritt, the supervising editor of the project and member of the Baker Street Irregulars. “At last we get to see for ourselves the actor who kept the first generation of Sherlockians spellbound. We can also see where the future Holmeses—Rathbone, Brett, Cumberbatch, and the rest—come from. As far as Holmes is concerned, there’s not an actor dead or alive who hasn’t consciously or intuitively played off Gillette.”
The newly found Essanay production is not only Gillette’s sole surviving appearance as Holmes. It is also the only film Gillette ever made, a unique opportunity to view the work of a major American actor in the legendary role that he wrote for himself. The film faithfully retains the play’s famous set pieces—Holmes’s encounter with Professor Moriarty, his daring escape from the Stepney Gas Chamber, and the tour-de-force deductions—and illustrates how Gillette wove bits from Conan Doyle’s stories ranging from “A Scandal in Bohemia” to “The Final Problem,” into an original, innovative mystery play.
THE RESTORATION PROJECT
A nitrate dupe negative of Sherlock Holmes was found in the vaults of the Cinémathèque Française. Originally assembled for French distribution, the negative contains French flash titles and color
annotations. This color information is quite surprising for an Essanay film, since usually Essanay’s domestic releases were usually in black and white. The colors in this case were probably intended for French distribution.
The film is now being digitally restored by the San Francisco Silent Film Festival and the Cinémathèque Française, the third such partnership between the organizations. The restoration is also
made possible by the financial support of private individuals from the United States and the United Kingdom.
Film restorer (and SFSFF Board President) Robert Byrne says, “It’s an amazing privilege to work with these reels that have been lost for generations. William Gillette’s Sherlock Holmes has ranked among the holy grails of lost film and my first glimpse of the footage confirms Gillette’s magnetism. Audiences are going to be blown away when they see the real Sherlock Holmes on screen for the first time."
The European premiere will take place at the Cinémathèque Française’s festival of film restoration, Toute la Mémoire du Monde, in January 2015. The American premiere will take place at the San
Francisco Silent Film festival in May 2015.
The 1916 film version of SHERLOCK HOLMES starring William Gillette has been found, and will be restored by SFSFF and La Cinémathèque française!
Long considered lost since its first release, the Gillette film is a vital missing link in the history of Holmes on screen. Directed by Arthur Berthelet and produced by Essanay Studios in 1916, it was discovered at La Cinémathèque only a few weeks ago.
By the time the film was made, Gillette had been established as the world’s foremost interpreter of Holmes on stage. He gave his face and manner to the detective and inspired the classic illustrations of Frederic Dorr Steele. Dynamic but calm, he played Holmes in the colorful attire—bent-stemmed briar, ornate dressing gown, and deerstalker cap—that has been identified ever since with the character. Just as durable was Gillette’s distinctive bearing, preserved in the film: the charismatic, all-seeing detective who dominates scenes with his preternatural stillness.
Booth Tarkington famously wrote after seeing Gillette on stage, “I would rather see you play Sherlock Holmes than be a child again on Christmas morning.” For the well-known Chicago bookman, Vincent Starrett, Gillette was beyond criticism. But perhaps the most telling accolade came from Arthur Conan Doyle himself, who had killed Holmes off and thought he was through with the character. After reading Gillette’s adaptation for the stage, he said, “It’s good to see the old chap back.”
“Sir Arthur, you don’t know the half of it,” says Professor Russell Merritt, the supervising editor of the project and member of the Baker Street Irregulars. “At last we get to see for ourselves the actor who kept the first generation of Sherlockians spellbound. We can also see where the future Holmeses—Rathbone, Brett, Cumberbatch, and the rest—come from. As far as Holmes is concerned, there’s not an actor dead or alive who hasn’t consciously or intuitively played off Gillette.”
The newly found Essanay production is not only Gillette’s sole surviving appearance as Holmes. It is also the only film Gillette ever made, a unique opportunity to view the work of a major American actor in the legendary role that he wrote for himself. The film faithfully retains the play’s famous set pieces—Holmes’s encounter with Professor Moriarty, his daring escape from the Stepney Gas Chamber, and the tour-de-force deductions—and illustrates how Gillette wove bits from Conan Doyle’s stories ranging from “A Scandal in Bohemia” to “The Final Problem,” into an original, innovative mystery play.
THE RESTORATION PROJECT
A nitrate dupe negative of Sherlock Holmes was found in the vaults of the Cinémathèque Française. Originally assembled for French distribution, the negative contains French flash titles and color
annotations. This color information is quite surprising for an Essanay film, since usually Essanay’s domestic releases were usually in black and white. The colors in this case were probably intended for French distribution.
The film is now being digitally restored by the San Francisco Silent Film Festival and the Cinémathèque Française, the third such partnership between the organizations. The restoration is also
made possible by the financial support of private individuals from the United States and the United Kingdom.
Film restorer (and SFSFF Board President) Robert Byrne says, “It’s an amazing privilege to work with these reels that have been lost for generations. William Gillette’s Sherlock Holmes has ranked among the holy grails of lost film and my first glimpse of the footage confirms Gillette’s magnetism. Audiences are going to be blown away when they see the real Sherlock Holmes on screen for the first time."
The European premiere will take place at the Cinémathèque Française’s festival of film restoration, Toute la Mémoire du Monde, in January 2015. The American premiere will take place at the San
Francisco Silent Film festival in May 2015.
Replies
Many thanks for posting this fascinating bit of news! I live in the SF bay area so gives me something to look forward to! :)
What else might be out there is an old cardboard box?
I'm assuming this is silent and the restoration will probably have some music added to it.
Got me thinking, I hope somebody, once it's released, will take the 9 minutes of audio of Gillette from the 1933 recording made by Harvard Professor Frederick C. Packard and attempt to sync it with the film.
There's an idea.
Wuthering heights!
(Would of said Wow but Bob beat me to it.)
Amazing what still turns up. Two years short of a century!
I know! So much I never thought I'd get the chance to see and there they are.
Wow!
I shall book my airline tickets today. :>)
It's something, isn't it?