Modesty Blaise is a British comic strip featuring a fictional character of the same name, created by Peter O'Donnell (writer) and Jim Holdaway (art) in 1963. The strip follows the adventures of Modesty Blaise, an exceptional young woman with many talents and a criminal past, and her trusty sidekick Willie Garvin. It was adapted into films made in 1966, 1982, and 2003 and a series of 13 novels and short story collections, beginning in 1965.
In 1945, a nameless girl escaped from a displaced person (DP) camp in Kalyros, Greece. She did not remember anything from her short past. She wandered through post-World War II Mediterranean, Middle Eastern and North African regions, where she learned to survive the hard way. She befriended another wandering refugee, a Jewish Hungarian scholar from Budapest named Lob who gave her an education and a name: Modesty (Blaise she added herself later, after Merlin's tutor from the Arthurian legends. Lob died when Modesty was 12 years old. Eventually, in 1953, she took control of a criminal gang in Tangier from Henri Louche and expanded it to international status as "The Network".
During these years she met Willie Garvin. Despite the desperate life he was leading, she saw his potential and offered him a job. Inspired by her belief in him, he pulled through as her right-hand man in The Network and became Modesty's most trusted friend. Theirs is a strictly platonic relationship and is based on mutual respect and shared interests. He has always called her "Princess", a form of address only he is allowed to use. Other members of The Network would call Modesty "Mam'selle" (as in the French term "Mademoiselle" or "Miss"). Though their relationship has no sexual element, it is Modesty's various lovers who feel jealous of Garvin, rather than the other way around - as he is the only man who remains part of her life, while lovers come and go. By the same token, some of Willie's girlfriends are initially jealous of Modesty, before in some cases - such as Lady Janet - coming to understand how the dynamic works between them.
She obtained British nationality by marrying and divorcing Englishman James Turner in Beirut; Turner died a year later of alcoholism. Having made a point of not dealing in secrets belonging to H.M. Government, when she felt she had made enough money, she retired and moved to England and Willie Garvin followed suit. Bored by their new lives among the idle rich, they accepted a request for assistance from Sir Gerald Tarrant, a high-ranking official of the British Secret Service. This is where the story really begins, although it is treated differently in the first comic strip and the first book. (See note in Canon debate below). Modesty's fortune is estimated at 500,000 pounds as of 1963. She lives in a penthouse in London overlooking Hyde Park, and also owns a villa in Tangier and a cottage two miles from Benildon, Wiltshire.
Many of her adventures are based on capers in which she and Willie Garvin become involved as a result of their association with Tarrant. However, they may also help perfect strangers or fight various eccentric villains in exotic locations of their own volition if the cause fits their values; "ghosts" from their Network past also emerge to haunt them from time to time. Although Modesty and Willie will not hesitate to kill if necessary, they avoid deadly force whenever possible, often relying upon their extraordinary physical and weapons skills.
A dumbbell-shaped yawara stick, or "kongo" as it is called in the Modesty Blaise books and comic strips
The kinds of fights and battles that Modesty and Willie have are often very special. There is a great emphasis on unarmed combat and unusual weapons. Modesty's weapon of choice is a "kongo" or yawara stick and as for firearms she begins by preferring the Colt .32 revolver and Mab Brevete .32 ACP auto pistol though in later books she switches to carrying a Star PD .45 auto pistol, while Willie's preferred weapon is the throwing knife, of which he usually carries two. Many other strange weapons (such as the use of quarterstaff, épée, blowgun, and sling) and unexpected fighting techniques are also featured.
In keeping with the "Floating timeline" spirit of other long-running comic strip and literary characters, Modesty and Willie generally do not age over the decades, with Modesty always being depicted as being in her late 20s, Willie eight years older. The only exceptions to this rule occur in the comic strip origin story, "In the Beginning", the 1996 short story collection Cobra Trap, the final Modesty Blaise book, which contains five stories that take place where Modesty's age moves from 20 to 52 (approximately), and the 2003 film My Name Is Modesty which is a prequel depicting Modesty in her late teens.
In an essay found in Myths for the Modern Age: Philip José Farmer's Wold Newton Universe (Win Scott Eckert, ed., MonkeyBrain Books, 2005), author Chuck Loridans contributes an article entitled "The Daughters of Greystoke" wherein he posits that Modesty is the daughter of Tarzan and La of Opar.
Having conceived the idea after a chance meeting with a girl during his wartime service in the Middle East,[3] O'Donnell elected to work with Jim Holdaway, with whom he had worked on the strip Romeo Brown, after a trial period of collaboration with Frank Hampson, creator of Dan Dare, left O'Donnell dissatisfied. Modesty Blaise debuted in the London Evening Standard on 13 May 1963.[2] The strip was syndicated among a large number of newspapers ranging from the Johannesburg Star to the Detroit Free Press, the Bombay Samachar, The Telegraph, (Calcutta, India), The Star (Malaysia), The West Australian (Perth, Australia) and The Evening Citizen (Glasgow, Scotland).
After Jim Holdaway's death in 1970,[4] the art of the strip was provided by the Spanish artist Enrique Badía Romero.[5][6] Eight years later, Romero quit to make time for his own comics projects, and after short attempts by John Burns[7] and Patrick Wright, Neville Colvin drew the strip until 1986.[8] Then Romero returned to the job and continued until the end of the strip.
The strip's circulation in the United States was erratic, in part because of the occasional nude scenes, which were much less acceptable in the U.S. than elsewhere, resulting in a censored version of the strip being circulated. (Modesty occasionally used a tactic that she called the "Nailer," in which she would appear topless, distracting the bad guys long enough to give Willie or herself a chance to incapacitate them.) An example of this censorship appears in the introduction to the 2007 Titan Books reprint volume Death Trap, which illustrated two segments of the story arc, "The Junk Men" that were censored by the Detroit Free Press when it published the strip in 1977; in both cases a screen was drawn over scantily-clad images of Willie and Modesty. Reportedly, O'Donnell did not approve of the changes, although they were made by the artist, Romero.[9]
The final Modesty Blaise daily comic strip, #10183. Unlike the printed version, the original art appears without the word balloons. The gist of the dialogue is that Modesty and Willie plan to unearth a treasure (the one left buried at the end of the book A Taste for Death) and anonymously donate it to the Salvation Army, and to take a break from adventuring. The final exchange at sunset: Modesty says, "NO VILLAINS, NO VICTIMS, NO BLOOD SWEAT AND TEARS ... WE'LL TAKE A LITTLE BREAK, WILLIE LOVE, JUST YOU AND ME." Willie replies, "BEST BIT OF ALL, PRINCESS."
The final Modesty Blaise strip ran in the Evening Standard on 11 April 2001. Some of the newspapers that carried the series, feeling that it had become a tradition for their readers, began running it again from the beginning. O'Donnell, in order to give Romero some additional work, gave the artist permission to adapt one of his short stories ("The Dark Angels") as a graphic novel that was published in Scandinavia in 2002, later being reprinted in the U.S. in a special issue of Comics Revue.
From 1 December 2008, the Evening Standard, which had stopped including comic strips for some time, republished La Machine, using the original artwork. Following a change of ownership of the paper, they did not continue with subsequent stories.
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