"When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.... When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out."
Set in the small Southern town of Maycomb, Alabama, during the Depression, To Kill a Mockingbird follows three years in the life of 8-year-old Scout Finch, her brother, Jem, and their father, Atticus--three years punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. Though her story explores big themes, Harper Lee chooses to tell it through the eyes of a child. The result is a tough and tender novel of race, class, justice, and the pain of growing up.
Like the slow-moving occupants of her fictional town, Lee takes her time getting to the heart of her tale; we first meet the Finches the summer before Scout's first year at school. She, her brother, and Dill Harris, a boy who spends the summers with his aunt in Maycomb, while away the hours reenacting scenes from Dracula and plotting ways to get a peek at the town bogeyman, Boo Radley. At first the circumstances surrounding the alleged rape of Mayella Ewell, the daughter of a drunk and violent white farmer, barely penetrate the children's consciousness. Then Atticus is called on to defend the accused, Tom Robinson, and soon Scout and Jem find themselves caught up in events beyond their understanding. During the trial, the town exhibits its ugly side, but Lee offers plenty of counterbalance as well--in the struggle of an elderly woman to overcome her morphine habit before she dies; in the heroism of Atticus Finch, standing up for what he knows is right; and finally in Scout's hard-won understanding that most people are essentially kind "when you really see them." By turns funny, wise, and heartbreaking, To Kill a Mockingbird is one classic that continues to speak to new generations, and deserves to be reread often.
Read by Sally Darling
11 parts
128 kbps
Replies
Images of Scout, Atticus and Boo flash through our minds, these characters have become part of us.
Thank you for posting this version.
Lefevre
PS: Sissy Spacek has also recorded a great version of this story.
Yes, I know. I'd love to have the Sissy Spacek version, although Sally Darling may sound more like Kim Stanley, the films narrator.
What's kind of refreshing to see is that Mary Badham has grown up to be a great deal as we would imagine Scout.
I love these characters.
Nothing Beats a classic!
Thank You
Bobbie
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To Kill a Mockingbird 02.mp3
The novel is renowned for its warmth and humor, despite dealing with the serious issues of rape and racial inequality. The narrator's father, Atticus Finch, has served as a moral hero for many readers and as a model of integrity for lawyers. One critic explains the novel's impact by writing, "In the twentieth century, To Kill a Mockingbird is probably the most widely read book dealing with race in America, and its protagonist, Atticus Finch, the most enduring fictional image of racial heroism."[1]
As a Southern Gothic novel and a Bildungsroman, the primary themes of To Kill a Mockingbird involve racial injustice and the destruction of innocence. Scholars have noted that Lee also addresses issues of class, courage, compassion, and gender roles in the American Deep South. The book is widely taught in schools in English-speaking countries with lessons that emphasize tolerance and decry prejudice. Despite its themes, To Kill a Mockingbird has been subject to campaigns for removal from public classrooms, often challenged for its use of racial epithets. Scholars also note the black characters in the novel are not fully explored, and some black readers receive it ambivalently, although it has an often profound effect on many white readers.
Lee's novel was initially reviewed by at least 30 newspapers and magazines, whose critics varied widely in their assessments. More recently, British librarians ranked the book ahead of the Bible as one "every adult should read before they die".[2] The book was adapted into an Oscar-winning film in 1962 by director Robert Mulligan, with a screenplay by Horton Foote. Since 1990, a play based on the novel has been performed annually in Harper Lee's hometown of Monroeville, Alabama. To date, it is Lee's only published novel, and although she continues to respond to the book's impact, she has refused any personal publicity for herself or the novel since 1964.
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To Kill a Mockingbird 03.mp3
To Kill a Mockingbird 04.mp3
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To Kill a Mockingbird 05.mp3
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To Kill a Mockingbird 07.mp3
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To Kill a Mockingbird 08.mp3