Dr. Seuss

Posted by Riklaa on December 7, 2009 at 10:47pm

Theodor Seuss Geisel (pronounced /ˈɡaɪzəl/; March 2, 1904 – September 24, 1991) was an American writer and cartoonist most widely known for his children's books written under the pen name Dr. Seuss. He published over 60 children's books, which were often characterized by imaginative characters, rhyme, and frequent use of trisyllabic meter. His most celebrated books include the bestselling Green Eggs and Ham, The Cat in the Hat, and One Fish Two Fish Red Fish Blue Fish. Numerous adaptations of his work have been created, including eleven television specials, three feature films, and a Broadway musical. Geisel also worked as an illustrator for advertising campaigns, most notably for Flit and Standard Oil, and as a political cartoonist for PM, a New York City newspaper. During World War II, he worked in an animation department of the U.S Army, where he wrote Design for Death, a film that later won the 1947 Academy Award for Documentary Feature. Early life and career Theodor Seuss Geisel was born on March 2, 1904, in Springfield, Massachusetts to Henrietta Seuss and Theodor Robert Geisel. His father, the son of German immigrants, managed the family brewery and after Theodor was married, supervised Springfield's public park system. Geisel was raised in the Lutheran faith and remained a member of the denomination his entire life. Geisel attended Springfield's Central High School and entered Dartmouth College in fall 1921 as a member of the Class of 1925 and joined Sigma Phi Epsilon fraternity.[At Dartmouth, Geisel joined the humor magazine Dartmouth Jack-O-Lantern, eventually rising to the rank of editor-in-chief. While at Dartmouth, Geisel was caught drinking gin with nine friends in his room, violating national Prohibition laws of the time. As a result, the school insisted that he resign from all extracurricular activities. In order to continue his work on the Jack-O-Lantern without the administration's knowledge, Geisel began signing his work with the pen name "Seuss"; his first work signed as "Dr. Seuss" appeared after he graduated, six months into his work for humor magazine The Judge where his weekly feature Birdsies and Beasties appeared. Geisel was encouraged in his writing by professor of Rhetoric W. Benfield Pressey, whom he described as his "big inspiration for writing" at Dartmouth. After Dartmouth, he entered Lincoln College, Oxford, intending to earn a Doctor of Philosophy in literature.[citation needed] At Oxford he met his future wife Helen Palmer; he married her in 1927, and returned to the United States without earning the degree. He began submitting humorous articles and illustrations to Judge, The Saturday Evening Post, Life, Vanity Fair, and Liberty. One notable "Technocracy Number" made fun of the Technocracy movement and featured satirical rhymes at the expense of Frederick Soddy.[citation needed] He became nationally famous from his advertisements for Flit, a common insecticide at the time. His slogan, "Quick, Henry, the Flit!" became a popular catchphrase. Geisel supported himself and his wife through the Great Depression by drawing advertising for General Electric, NBC, Standard Oil, and many other companies. He also wrote and drew a short-lived comic strip called Hejji in 1935.[3] In 1937, while Geisel was returning from an ocean voyage to Europe, the rhythm of the ship's engines inspired the poem that became his first book, And to Think That I Saw It on Mulberry Street.[citation needed] Geisel wrote three more children's books before World War II, two of which are, atypically for him, in prose. As World War II began, Geisel turned to political cartoons, drawing over 400 in two years as editorial cartoonist for the left-wing New York City daily newspaper, PM. Geisel's political cartoons, later published in Dr. Seuss Goes to War, opposed the viciousness of Hitler and Mussolini and were highly critical of isolationists, most notably Charles Lindbergh, who opposed American entry into the war.[citation needed] One cartoon[5] depicted all Japanese Americans as latent traitors or fifth-columnists, while at the same time other cartoons deplored the racism at home against Jews and blacks that harmed the war effort. His cartoons were strongly supportive of President Roosevelt's conduct of the war, combining the usual exhortations to ration and contribute to the war effort with frequent attacks on Congress (especially the Republican Party),[citation needed] parts of the press (such as the New York Daily News and Chicago Tribune),[citation needed] and others for criticism of Roosevelt,[citation needed] criticism of aid to the Soviet Union,[citation needed] investigation of suspected Communists,[citation needed] and other offenses that he depicted as leading to disunity and helping the Nazis, intentionally or inadvertently. In 1942, Geisel turned his energies to direct support of the U.S. war effort. First, he worked drawing posters for the Treasury Department and the War Production Board. Then, in 1943, he joined the Army and was commander of the Animation Dept of the First Motion Picture Unit of the United States Army Air Forces, where he wrote films that included Your Job in Germany, a 1945 propaganda film about peace in Europe after World War II, Our Job in Japan, and the Private Snafu series of adult army training films. While in the Army, he was awarded the Legion of Merit.[citation needed] Our Job in Japan became the basis for the commercially released film, Design for Death (1947), a study of Japanese culture that won the Academy Award for Documentary Feature.[6] Gerald McBoing-Boing (1950), which was based on an original story by Seuss, won the Academy Award for Animated Short Film. Later years After the war, Geisel and his wife moved to La Jolla, California. Returning to children's books, he wrote many works, including such children's favorites as If I Ran the Zoo, (1950), Scrambled Eggs Super! (1953), On Beyond Zebra! (1955), If I Ran the Circus (1956), and How the Grinch Stole Christmas! (1957). Although he received numerous awards throughout his career, Geisel won neither the Caldecott Medal nor the Newbery Medal. Three of his titles from this period were, however, chosen as Caldecott runners-up (now referred to as Caldecott Honor books): McElligot's Pool (1947), Bartholomew and the Oobleck (1949), and If I Ran the Zoo (1950). At the same time, an important development occurred that influenced much of Geisel's later work. In May 1954, Life magazine published a report on illiteracy among school children, which concluded that children were not learning to read because their books were boring. Accordingly, William Ellsworth Spaulding, a textbook editor at Houghton Mifflin who later became its Chairman, compiled a list of 348 words he felt were important for first-graders to recognize and asked Geisel to cut the list to 250 words and write a book using only those words.[7] Spaulding challenged Geisel to "bring back a book children can't put down." [8] Nine months later, Geisel, using 236 of the words given to him, completed The Cat in the Hat. This book was a tour de force[who?]—it retained the drawing style, verse rhythms, and all the imaginative power of Geisel's earlier works, but because of its simplified vocabulary could be read by beginning readers. These books achieved significant international success and they remain very popular.[citation needed] Geisel went on to write many other children's books, both in his new simplified-vocabulary manner (sold as Beginner Books) and in his older, more elaborate style. The Beginner Books were not easy for Geisel, and reportedly[citation needed] he labored for months crafting them. On October 23, 1967, suffering from a long struggle with illnesses including cancer, Geisel's wife, Helen Palmer Geisel, committed suicide.[9] Geisel married Audrey Stone Dimond on June 21, 1968. Though he devoted most of his life to writing children's books, Geisel never had any children. Pen names and pronunciations Geisel's pen name is pronounced /ˈsuːs/ or /ˈsjuːs/, an anglicized pronunciation inconsistent with his German surname; Geisel switched to the anglicized pronunciation from German [ˈzɔʏs] because it "evoked a figure advantageous for an author of children’s books to be associated with—Mother Goose."[8] Geisel also used the pen name "Theo. LeSieg" (Geisel spelled backwards) for books he wrote but others illustrated. Artwork At work on a drawing of The Grinch for How the Grinch Stole Christmas!, in 1957.Geisel's earlier artwork often employed the shaded texture of pencil drawings or watercolors, but in children's books of the postwar period he generally employed the starker medium of pen and ink, normally using just black, white, and one or two colors. Later books such as The Lorax used more colors. Geisel's figures are often rounded and somewhat droopy. This is true, for instance, of the faces of the Grinch and of the Cat in the Hat. It is also true of virtually all buildings and machinery that Geisel drew: although these objects abound in straight lines in real life, for buildings, this could be accomplished in part through choice of architecture. For machines, for example, If I Ran the Circus includes a droopy hoisting crane and a droopy steam calliope. Works by Theodor Seuss Geisel (Dr. Seuss) Bibliography And to Think That I Saw It on Mulberry Street · The 500 Hats of Bartholomew Cubbins · The King's Stilts · The Seven Lady Godivas · Horton Hatches the Egg · Thidwick the Big-Hearted Moose · If I Ran the Zoo · Horton Hears a Who! · On Beyond Zebra! · If I Ran the Circus · How the Grinch Stole Christmas! · The Cat in the Hat · The Cat in the Hat Comes Back · Yertle the Turtle and Other Stories · Green Eggs and Ham · One Fish Two Fish Red Fish Blue Fish · The Sneetches and Other Stories · Fox in Socks · Hop on Pop · I Had Trouble in Getting to Solla Sollew · The Lorax · Marvin K. Mooney Will You Please Go Now! · The Butter Battle Book · Oh, the Places You'll Go! · Daisy-Head Mayzie (posthumous) · My Many Colored Days (posthumous) · Hooray for Diffendoofer Day! (posthumous) Television adaptations How the Grinch Stole Christmas! (1966) · Horton Hears a Who! (1970) · The Cat in the Hat (1971) · The Lorax (1972) · Dr. Seuss on the Loose (1973) · The Hoober-Bloob Highway (1975) · Halloween Is Grinch Night (1977) · Pontoffel Pock, Where Are You? (1980) · The Grinch Grinches the Cat in the Hat (1982) · The Butter Battle Book (1990) · The Wubbulous World of Dr. Seuss (1996–1997) · Gerald McBoing-Boing (2005–2007) Film adaptations How the Grinch Stole Christmas (2000) · The Cat in the Hat (2003) · Horton Hears a Who! (2008) · The Lorax (2012) Other adaptations Seussical (musical) · Dr. Seuss' How the Grinch Stole Christmas! (musical) · The Grinch (video game) · Dr. Seuss: How The Grinch Stole Christmas! (video game) Other work Private Snafu · The Pocket Book of Boners · Your Job in Germany · Design for Death · The 5,000 Fingers of Dr. T · Hejji · Society of Red Tape Cutters · Flit Related articles Seuss Landing · Beginner Books · PM · Geisel Library · Dr. Seuss National Memorial · Read Across America

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