By Doris Lessing, dramatised by Tina Pepler. Mary Turner is found murdered on the verandah of her farmstead, her houseboy having confessed to the crime. But he seems to have no motive. A powerful exploration of 1940s Rhodesia. With Alison Pettitt, Tr
By Laurie Lee. A special adaptation of Lee's celebrated journey from his Cotswolds home to southern Spain in the mid-1930s. The 19-year-old Laurie sets out on the open road with a vague idea of reaching LONDON and his American girlfriend. The book ha
By William Faulkner, dramatised by James Friel. Successive episodes in the death and burial of Addie Bundren are recounted by various members of her family circle, as they cart her coffin to Jefferson, Mississippi, in order to bury her among her own
By Benito Perez Galdos, dramatised in 2 parts by John Clifford. Named after the Grand Inquisitor by those he brutally exploits, Torquemada's story is one of evolution in reverse. In his state of absolute corruption, love of money first isolates him b
Fyodor Dostoevsky's romantic thriller about guilt and redemption, dramatised in 3 parts by Mike Walker. With Barnaby Kay, Robert Lang, Oliver Milburn, Poppy Downie and Jim Norton. Director, John Taylor.
By Richard Hughes, dramatised by Bryony Lavery. The Bas Thornton children live an idyllically carefree life in mid-19th-century Jamaica. But when a hurricane hits the island, they are sent home to England where, it is thought, they will be safer - th
By Ryunosoke Akutagawa, adapted by Kevin Fegan. Who killed the young samurai warrior from Kyoto? Why does every witness have a different story to tell? A classic tale about a murder investigation which becomes an examination of the nature of confessi
By John Steinbeck, dramatised in three parts by Shaun McKenna. Adam Trask thinks he can escape the painful memories of life in the army when he discovers the beautiful Cathy Ames on the doorstep of his Connecticut farm. But this is only the beginning
Leslie Caron, Stacy Keach and Elizabeth McGovern star in this adaptation of Booth Tarkington's 20s novel. Dramatised in two parts by Michael Hastings. With Alan Cox, Rachel Pickup and Francois Xavier-Noah. Director Bill Bryden.
By William Makespeace Thackeray, adapted for radio by Ellen Dryden. Rome 1853. Unable to find any Christmas entertainment for the children in his charge, Thackeray invents his own fireside pantomime to keep them amused: a story of two kingdoms, two k
Henry Fielding's comic masterpiece, dramatised in four parts by Dominic Power, is a riotous journey through the morals and manners of high and low society. Joseph's special talents are spotted by Lady Booby, who employs him as her footman, forcing hi
Patrick White's novel, dramatised in two parts by Julia Stoneham. German explorer Voss is determined to lead a trek across the centre of Australia. Before he leaves, he meets an English girl with whom he forms a strange and passionate relationship. W
Germany, 1930. Hitler rises to power. Three-year-old Oskar decides to stop growing and talking. Instead, he plays his tin drum through the dark years of Nazism. Dramatisation of Gunter Grass' novel starring Phil Daniels.
The ground-breaking lesbian novel by Radclyffe Hall is the story of one woman's desperate attempt to love and be loved. Adapted in two parts by Sarah Woods. With Valerie Edmond, Alexandra Bateman and Roberta Kerr. Director Melanie Harris
Marlene celebrates her promotion to managing director of the Top Girls Employment Agency with a dinner. Her guests are five women from history, art and literature.
This was broadcast last week and today on BBC Radio 7. It was originally broadcast by BBC World Service. I couldn't find the original broadcast dates. It stars Terence Alexander as "The Toff". Enjoy. Dick
The series was broadcast last week on BBC Radio 4. Enjoy. Dick
The Arabian Afternoons Series:
A long time ago and far away, there was a king called Shahrayar. Betrayed in love himself, his custom was to enjoy his brides on their wedding night and t
'Tis Pity She's a Whore is a tragedyTragedyTragedy is a form of art based on human suffering that, paradoxically, offers its audience pleasure... written by John FordJohn Ford (dramatist)John Ford was an English Jacobean